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Now showing items 11-20 of 38
Passionnément, à la folie...: Lecteurs et modes de lecture du roman d'amour contemporain
(Dalhousie University. Electronic Text Centre, 2005)
Underestimated even among paraliterary genres, the love novel is often met with rejection and scorn The criticism it attracts can certainly be explained in part by the unscrupulous methods used by specialized publishing ...
Productin de l'intérnêt romanesque: un état du texte (1870-1880), un essai de constitution de sa théorie
(Dalhousie University. Electronic Text Centre, 2010)
Fenomenologia del paesaggio: Il ruolo della descrizione in Le tour du monde en quatre-vingt jours
(Dalhousie University. Electronic Text Centre, 2008)
Roland Barthes states that all literary descriptions originate from a previously "framed" referent, understood first of all in pictorial terms. It may therefore be interesting to compare the different descriptive practices ...
Caroline Marbouty ou la 'fausse position' de la femme auteur
(Dalhousie University. Electronic Text Centre, 2008)
"Never like today has woman been as under-utilized. The only life accorded to her is that of her feelings, and feelings are devalued." ("Préface to Ange De Spola", Etudes de femmes, 2 volumes, Paris, Victor Magen, 1842). ...
Pourquoi tant d'histoires? T. Combe (1856-1933) ou la mesure des possibles d'une romancière et journaliste dans la Suisse de la Belle Epoque
(Dalhousie University. Electronic Text Centre, 2008)
At the beginning of the twentieth-century, a former teacher who became a novelist and newspaper writer, well-known even beyond the borders of her native Switzerland, buys a « house of her own » both cozy and considerably ...
Images de la femme dans le roman sentimental
(Dalhousie University. Electronic Text Centre, 2009)
Quelle fin pour Pedro McEvoy? Le Dénouement renoué de Rue des Boutiques Obscures
(Dalhousie University. Electronic Text Centre, 2010)
The narrative conventions which underlie and structure the detective novel’s intrigue have been the object of pastiches, parodies and ironic subversions in a number of important works of the last half century. From Gommes ...
Laisser parler les armes: Lire la fiction de guerre qui narre, enseigne et vise à convaincre
(Dalhousie University. Electronic Text Centre, 2010)
Séries, suites et redites en culture médiatique
(Dalhousie University. Electronic Text Centre, 2002)
The goal of the authors of this article is to discuss the specific form of repetition that Umberto Eco calls "remake". The serial aspect of remakes is based on the systematic use of processes of repetition that produce ...
Ils aiment le roman sentimental et alors? Lecteurs d'un 'mauvais genre', des lecteurs en danger?
(Dalhousie University. Electronic Text Centre, 2010)