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dc.contributor.authorGeorgia Grundlingh
dc.date.accessioned2014-12-15T19:37:57Z
dc.date.available2014-12-15T19:37:57Z
dc.date.issued2014-12-15
dc.identifier.urihttp://hdl.handle.net/10222/56018
dc.description.abstractThis thesis seeks to investigate the ways in which a novel from Newfoundland and a novel from Tasmania use history and myth to reimagine their colonial beginnings in light of recent debates about finding and defining regional and national identity. Specifically, I will look at how Michael Crummey’s Galore uses folklore to tell a founding story of Newfoundland – a place where the impulse to recover a lost past is still strong, and where efforts to do so contribute to the region’s dominant culture industry. In comparison, I address how Richard Flanagan’s Gould’s Book of Fish, in its retelling of the Tasmanian settler story, works to expose the myths of foundational and historical narratives and explore the impact that these forged narratives have on identity-formation in the present.en_US
dc.language.isoenen_US
dc.subjectpost-colonialen_US
dc.subjectNewfoundlanden_US
dc.subjectTasmaniaen_US
dc.subjectFolkloreen_US
dc.subjectMagic Realismen_US
dc.subjectHistorical fictionen_US
dc.subjectnational literatureen_US
dc.titleInventing the Past: Regional Myth in Michael Crummey’s Galore and Richard Flanagan’s Gould’s Book of Fishen_US
dc.date.defence2014-12-04
dc.contributor.departmentDepartment of Englishen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorCarrie Dawsonen_US
dc.contributor.thesis-readerWilliam Barkeren_US
dc.contributor.thesis-readerCarrie Dawsonen_US
dc.contributor.thesis-supervisorAlice Brittanen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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