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Touchstone: Narratives in Contemporary Canadian Inuit Art

dc.contributor.authorComeau, Matthieu
dc.contributor.copyright-releaseNot Applicableen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.departmentDepartment of Sociology & Social Anthropologyen_US
dc.contributor.ethics-approvalReceiveden_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorLiz Fittingen_US
dc.contributor.manuscriptsNoen_US
dc.contributor.thesis-readerJean Sebastien Guyen_US
dc.contributor.thesis-readerLindsay Duboisen_US
dc.contributor.thesis-supervisorBrian Nobleen_US
dc.date.accessioned2015-09-03T17:55:50Z
dc.date.available2015-09-03T17:55:50Z
dc.date.defence2015-03-20
dc.date.issued2015
dc.description.abstractThis thesis is an exploration of the origins of contemporary Canadian Inuit art with a special emphasis on the Houston family. It touches on continued and competing narratives on the creation of Inuit art, with a theoretical emphasis on the work of Alfed Gell. Drawing on interviews with John Houston, the thesis explores how these narratives have interacted with a new generation of artists.en_US
dc.identifier.urihttp://hdl.handle.net/10222/61890
dc.language.isoenen_US
dc.subjectInuiten_US
dc.subjectArten_US
dc.titleTouchstone: Narratives in Contemporary Canadian Inuit Arten_US

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