Touchstone: Narratives in Contemporary Canadian Inuit Art
dc.contributor.author | Comeau, Matthieu | |
dc.contributor.copyright-release | Not Applicable | en_US |
dc.contributor.degree | Master of Arts | en_US |
dc.contributor.department | Department of Sociology & Social Anthropology | en_US |
dc.contributor.ethics-approval | Received | en_US |
dc.contributor.external-examiner | n/a | en_US |
dc.contributor.graduate-coordinator | Liz Fitting | en_US |
dc.contributor.manuscripts | No | en_US |
dc.contributor.thesis-reader | Jean Sebastien Guy | en_US |
dc.contributor.thesis-reader | Lindsay Dubois | en_US |
dc.contributor.thesis-supervisor | Brian Noble | en_US |
dc.date.accessioned | 2015-09-03T17:55:50Z | |
dc.date.available | 2015-09-03T17:55:50Z | |
dc.date.defence | 2015-03-20 | |
dc.date.issued | 2015 | |
dc.description.abstract | This thesis is an exploration of the origins of contemporary Canadian Inuit art with a special emphasis on the Houston family. It touches on continued and competing narratives on the creation of Inuit art, with a theoretical emphasis on the work of Alfed Gell. Drawing on interviews with John Houston, the thesis explores how these narratives have interacted with a new generation of artists. | en_US |
dc.identifier.uri | http://hdl.handle.net/10222/61890 | |
dc.language.iso | en | en_US |
dc.subject | Inuit | en_US |
dc.subject | Art | en_US |
dc.title | Touchstone: Narratives in Contemporary Canadian Inuit Art | en_US |
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