Browsing Vol. 03 No. 2, April 2004 by Issue Date
Now showing items 1-20 of 20
-
Robot géant: De l'instrumentalisation à la fusion
(Dalhousie University. Electronic Text Centre, 2004)Through the history of a sub-genre of science-fiction (cartoons featuring giant robots), this article attempts to identify how the robot switches roles, going from simple instrument to essential part of the plot. The various ... -
Il terrore e lo sguardo
(Dalhousie University. Electronic Text Centre, 2004)What is horror's discourse and what is the discourse on horror? The inventor of terror is power – a concept of power that has its ultimate horizon in the divine. But in hell, on the screen or on the page, horror is elsewhere. ... -
Horreur, hyperbole et réticence chez Lovecraft
(Dalhousie University. Electronic Text Centre, 2004)The work of Howard Phillips Lovecraft (1890-1937) represents a kind of « discursus interruptus » on horror and on the literary language that can best represent it. Lovecraft invents a new kind of horror, more hyperbolic ... -
Psychological Terror and Social Fears in Philip K. Dick's Science Fiction
(Dalhousie University. Electronic Text Centre, 2004)Science-fiction and horror are closely related genres, both belonging to the larger domain of fantastic literature. They share a partly common history. This article aims to examine how Philip K. Dick, one of the most ... -
Textures of Terror: Claire Denis's Trouble Every Day
(Dalhousie University. Electronic Text Centre, 2004)Like her last film Beau travail (1998), Trouble Every Day (2001) sees Claire Denis taking a sexual narrative that has been familiarised through theoretical (often psychoanalytic) interpretation and filming it in such a way ... -
L'Horreur dans la Bibliothèque! Bibliographie internationale sélective des études sur l'horreur dans la littérature, la bande dessinée, et le cinéma
(Dalhousie University. Electronic Text Centre, 2004) -
La Lecture du fantastique: Terreurs littéraires, peurs sociales
(Dalhousie University. Electronic Text Centre, 2004)In recent years, horror stories have become more and more popular with a socially diverse reading public. This article, based on a study of readers' approach to horror stories, will deal with how artificial fears are ... -
Mécanismes d'apparition de la terreur dans les légendes fantastiques de Gustavo Adolfo Bécquer
(Dalhousie University. Electronic Text Centre, 2004)Gustavo Adolfo Bécquer (Spanish writer, 1836-1870) is the author of a series of fantastic "legends", featuring mysterious and unknown worlds, constructed to evoke feelings of fear and terror in the reader. One of the sources ... -
La Terreur des 'Maîtres du temps' fantastiques
(Dalhousie University. Electronic Text Centre, 2004)Forever concerned with objectivity, the 19th century opens the era of triumphant positivism. All sciences, from physics to history, will therefore deal exclusively with facts, their analysis and the links between them. ... -
Horreur des villes maudites dans l'oeuvre de H. P. Lovecraft
(Dalhousie University. Electronic Text Centre, 2004)Howard Phillips Lovecraft is forever weaving the same spider-web, in which both his hero and his readers invariably get caught. The real curse of his ancient cities (R'lyeh, Innsmouth, Arkham, Marblehead, Kingsport, Dunwich ... -
La Planète Mars dans les romans de science-fiction anglo-saxons des années 1990: La Peur du monstre de pierre
(Dalhousie University. Electronic Text Centre, 2004)When it deals with the planet Mars, nineteen-nineties science-fiction faces an alternative: either the heroes adapt to Mars' hard conditions (and that's "pantropy"), or they adapt Mars to make it livable for human beings ... -
Un Souvenir d'enfance de J. R. R. Tolkien
(Dalhousie University. Electronic Text Centre, 2004)Tolkien's work is home to many terrifying monsters. The spider is one of its most peculiar. It is constantly present in his novels and undergoes changes in its role and function. Tolkien does not use the spider simply to ... -
Horreur et fantastique: L'Animalité dans le film Nosferatu de Murnau
(Dalhousie University. Electronic Text Centre, 2004)Fantastic and horror, as they are experienced through literature, do not create fear in the same way. The feeling of the fantastic comes from the acceptance of the existence of a strange and disquieting alternate universe. ... -
Monstruosité et réflexion métalittéraire dans Le Fantà´me de l'Opéra de Gaston Leroux
(Dalhousie University. Electronic Text Centre, 2004)Hidden between the lines of Gaston Leroux's Phantom of the Opera is a reflection on the relationship between the popular writer and official literature, illustrated metaphorically through the image of the Opera itself. ... -
Contents - Belphégor Vol 3 No 2
(2004-04) -
Perrot, Jean, ed. Pinocchio. Entre texte et image. Bruxelles: Presses Interuniversitaires Européennes, 2003. 269 p. ISBN 90-5201-171-0
(Dalhousie University. Electronic Text Centre, 2004-04) -
La Belgique : un jeu de cartes ? De Rosny aîné à Jacques Brel. Etudes réunies par Arnaud Huftier. Presses Universitaires de Valenciennes. Valenciennes, 2003. ISBN : 2- 905725-57-5
(Dalhousie University. Electronic Text Centre., 2004-04) -
L'Archipel Tintin. Préface de Cyrille Mozgovine. Les Impressions Nouvelles. Paris, Bruxelles, 2003. 119 p. ISBN : 2-906131-70-9
(Dalhousie University. Electronic Text Centre., 2004-04) -
Gely, Cyril et Eric Rouquette. Signé Dumas. Les Impressions Nouvelles. Paris, Bruxelles, 2003. 93 p. ISBN : 2-906131-66-0.
(Dalhousie University. Electronic Text Centre., 2004-04) -
Lise Andries, Geneviève Bollème, La Bibliothèque bleue. Littérature de colportage, Robert Laffont, 2003, 1024p., 29€. Collection « Bouquins ».
(Dalhousie University. Electronic Text Centre, 2004-04)