Search
Now showing items 21-26 of 26
Douceur du conflit: Commentaire stylistique d'une planche de Michel Greg
(Dalhousie University. Electronic Text Centre, 2005)
This article attempts a stylistic analysis of the dialogue between two aristocrats in a story of Achille Talon (entitled « si tu hais, vite le gant d'ire, hâtons ! », album Achille Talon au pouvoir, Mon Oeuvre à moi, t. ...
XXIst Century Graphic Novels
(Dalhousie University. Electronic Text Centre, 2005)
This paper looks at the characteristics that have marked contemporary "bande dessinée" production, focusing on the growing interest of the media and publishing industry, and the stance of comic creators and independent ...
'C'est tout mal fait, pardon': The Rhetoric of Politics in Pierre La Police's Comics
(Dalhousie University. Electronic Text Centre, 2005)
This article examines rhetorical strategies of nonsensical political humor in Pierre La Police's Véridique! comics. Applying the Groupe µ's theoretical principles, which posit that various deviations from a standard semantic ...
I'm Not Scared' ...: I'm Marketable
(Dalhousie University. Electronic Text Centre, 2005)
This article is a critical assessment of Niccolò Ammaniti's novel and Gabriele Salvatores' homonymous film I'm not scared in their attempt at portraying the point of view of a child within an Italian family at the end of ...
... Car la voie droite était perdue': Les Terres creuses de Luc et François Schuiten, ou les Cercles labyrinthiques
(Dalhousie University. Electronic Text Centre, 2005)
Within the trilogy entitled Les Terres creuses, the symbol of the circle plays a central role. It evokes at the same time unity and multiplicity, as well as reflection, the tricks mirrors play, as well as the vicious circle ...
De l'influence de la diffusion sur la presse à grand tirage (1852-1914): Le Petit Journal, Le Petit Parisien, Le Matin et Le Journal
(Dalhousie University. Electronic Text Centre, 2005)
This article examines the changes that have occurred in newspaper distribution in France towards the middle of the nineteenth century, and their influence on the press itself and on the literature of the time. These changes ...