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Now showing items 11-20 of 33
LEIVA, Antonio Domínguez. El labirinto imaginario de Jan Potocki. Manuscrito encontrado en Zaragoza (Estudio crítico). Madrid, UNED, 2000, 468 pp.
(Dalhousie University. Electronic Text Centre, 2003-12)
L'ultimo upgrade
(Dalhousie University. Electronic Text Centre, 2003)
The symbiosis between man and technology is obvious in the robot who is the main character of the movie Bicentennial Man, adapted in 1999 from Isaac Asimov's short story bearing the same title. The humanist search of ...
Ce genre n'existe pas-pourquoi l'inventer?
(Dalhousie University. Electronic Text Centre, 2003)
Stand-up comedy is as low-brow as they come: oral, popular/vulgar, and of course not serious. It is also hardly studied by French academic criticism. In its case, even the problem of the devaluation of media genres (genre ...
Cosa c'è di male ad essere poltruomini?
(Dalhousie University. Electronic Text Centre, 2003-04)
Dolores JIMÉNEZ, Evelio MIÑANO (eds.), Homenaje a Josefa María Castellví, Cuadernos de Filología, Anejo nº XLIX, València, Universitat de València, 2002, 416 p.
(Dalhousie University. Electronic Text Centre, 2003-04)
Francisco LAFARGA, Concepción PALACIOS, Alfonso SAURA (Eds.), Neoclásicos y románticos ante la traducción, Murcia, Universidad de Murcia, 2002, 450 p.
(Dalhousie University. Electronic Text Centre, 2003-04)
Le Genre cinématographique: Une Catégorie de l'interprétation
(Dalhousie University. Electronic Text Centre, 2003)
Garcin, Etienne et Hubert Desmarets ed. "Avatars du sacré dans la littérature populaire". Mélanges de Science Religieuse (59). Lille: Université catholique de Lille, 2002. 108 p.
(Dalhousie University. Electronic Text Centre, 2003-04)
Philip K. Dick: Psichedelici orizzonti, perversi accoppiamenti e nuove alterità
(Dalhousie University. Electronic Text Centre, 2003)
In Philip K. Dick's narrative hyper-realism, the description of how artificial beings intensify their natural capacities goes back and forth between drug-inspired hypertrophic suggestions, and the chimerical images that ...
CRASH: Metafisica dell'ubiquità
(Dalhousie University. Electronic Text Centre, 2003)
The culture of the twentieth century is characterized by three industrial products: the cinema, the car and science-fiction. All three relate to the way we experience time and space. In his novel Crash, J.G. Ballard uses ...