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La Théorie de 'jeu de place' et les relations maîtres-domestiques dans le théâtre d'Eugène Labiche: Le Cas du Dossier de Rosafol
(Dalhousie University. Electronic Text Centre, 2008)
L'article La théorie de « jeu de place » et les relations maîtres-domestiques dans le théâtre d'Eugène Labiche : le cas du Dossier de Rosafol vise à examiner le fonctionnement du renversement de rôles (le plus souvent entre ...
Fenomenologia del paesaggio: Il ruolo della descrizione in Le tour du monde en quatre-vingt jours
(Dalhousie University. Electronic Text Centre, 2008)
Roland Barthes states that all literary descriptions originate from a previously "framed" referent, understood first of all in pictorial terms. It may therefore be interesting to compare the different descriptive practices ...
Caroline Marbouty ou la 'fausse position' de la femme auteur
(Dalhousie University. Electronic Text Centre, 2008)
"Never like today has woman been as under-utilized. The only life accorded to her is that of her feelings, and feelings are devalued." ("Préface to Ange De Spola", Etudes de femmes, 2 volumes, Paris, Victor Magen, 1842). ...
Pourquoi tant d'histoires? T. Combe (1856-1933) ou la mesure des possibles d'une romancière et journaliste dans la Suisse de la Belle Epoque
(Dalhousie University. Electronic Text Centre, 2008)
At the beginning of the twentieth-century, a former teacher who became a novelist and newspaper writer, well-known even beyond the borders of her native Switzerland, buys a « house of her own » both cozy and considerably ...
Articles critiques de Théophile Gautier sur le théâtre de Labiche
(Dalhousie University. Electronic Text Centre, 2008)
Between 1838 and 1870, Gautier wrote 65 reviews of plays by Labiche. Before 1851, his compliments are somewhat vague, as if he had not immediately realized this author's importance. However, he is rarely harsh with him, ...
Théodore de Banville, critique d'Eugène Labiche
(Dalhousie University. Electronic Text Centre, 2008)
In his articles of theatre critcism, written intermittently between 1847 and 1881, Théodore de Banville touched on Eugène Labiche's theatre thirty-seven times. With only a few exceptions, his opinion is generally favorable ...
L'Art polémique du Panthéon: Le Cas de l'exposition des Portraits du prochain siècle (1893)
(Dalhousie University. Electronic Text Centre, 2008)
Held in Paris in 1893, the exhibition of the Portraits du prochain siècle gave rise to a polemic abundantly treated in the literary and political press of the moment. Displaying side by side the portraits of Michel Bakounine ...
Un Dispositif sous surveillance: La Parodie censurée chez Labiche
(Dalhousie University. Electronic Text Centre, 2008)
Like the other dramatic authors of their time, Eugène Labiche and his collaborators were forced to submit their plays to the government censors in order to perform. For instance, the censors forbided them to perform “L'Ut ...
Stratégies narratives et engagement politique d'une écrivaine au XIXe siècle: André Léo, L'Epousée du bandit (1880)
(Dalhousie University. Electronic Text Centre, 2008)
The adventurous life and the complex oeuvre of André Léo (1824-1900) have long escaped the interest of literary historians and critics. It is only recently that this woman author has begun to emerge from a century-long ...
L'Itinéraire d'une féministe romantique: Carolina Coronado, femme et poète entre force et fragilité
(Dalhousie University. Electronic Text Centre, 2008)
Carolina Coronado, born in 1820 in a liberal Spanish family, received in spite of this a very traditional education and was expected to conform to her role as an obedient daughter and wife, whose life would be limited to ...