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Now showing items 11-20 of 44
L'Anarchiste' dans le cinéma de fiction français: Un Motif singulier entre caricature bienveillante et charge malintentionnée
(Dalhousie University. Electronic Text Centre, 2007)
Since the end of the 19th century, anarchists have been represented almost exclusively as violent, godless and lawless terrorists. This caricature, loosely based upon some real propagandists of the period from 1892 to 1894 ...
Jules Verne au pays du manga
(Dalhousie University. Electronic Text Centre, 2007)
Jules Verne is still known nowadays because of his technological imagination, and has considerably influenced two of the major authors of Japanese animation: Hayao Miyazaki (Chihiro's Travels) and Hideaki Anno (Neon Genesis ...
Mécanismes d'apparition de la terreur dans les légendes fantastiques de Gustavo Adolfo Bécquer
(Dalhousie University. Electronic Text Centre, 2004)
Gustavo Adolfo Bécquer (Spanish writer, 1836-1870) is the author of a series of fantastic "legends", featuring mysterious and unknown worlds, constructed to evoke feelings of fear and terror in the reader. One of the sources ...
La Terreur des 'Maîtres du temps' fantastiques
(Dalhousie University. Electronic Text Centre, 2004)
Forever concerned with objectivity, the 19th century opens the era of triumphant positivism. All sciences, from physics to history, will therefore deal exclusively with facts, their analysis and the links between them. ...
Productin de l'intérnêt romanesque: un état du texte (1870-1880), un essai de constitution de sa théorie
(Dalhousie University. Electronic Text Centre, 2010)
Scene di fanatismo in alcuni romanzi salgariani
(Dalhousie University. Electronic Text Centre, 2006)
Scenes of religious or superstitious fanaticism are quite common in Salgari's novels. Such events are given particular attention throughout his work and make the object of detailed and lively descriptions. The novelist ...
Fenomenologia del paesaggio: Il ruolo della descrizione in Le tour du monde en quatre-vingt jours
(Dalhousie University. Electronic Text Centre, 2008)
Roland Barthes states that all literary descriptions originate from a previously "framed" referent, understood first of all in pictorial terms. It may therefore be interesting to compare the different descriptive practices ...
Dalle appendici al libro: Su Salgari scrittore d'avventura
(Dalhousie University. Electronic Text Centre, 2006)
Emilio Salgari originally started off writing for the daily press. No less than five of his novels were published first in daily instalments in various newspapers. These original versions, which have been reprinted only ...
Caroline Marbouty ou la 'fausse position' de la femme auteur
(Dalhousie University. Electronic Text Centre, 2008)
"Never like today has woman been as under-utilized. The only life accorded to her is that of her feelings, and feelings are devalued." ("Préface to Ange De Spola", Etudes de femmes, 2 volumes, Paris, Victor Magen, 1842). ...
Pourquoi tant d'histoires? T. Combe (1856-1933) ou la mesure des possibles d'une romancière et journaliste dans la Suisse de la Belle Epoque
(Dalhousie University. Electronic Text Centre, 2008)
At the beginning of the twentieth-century, a former teacher who became a novelist and newspaper writer, well-known even beyond the borders of her native Switzerland, buys a « house of her own » both cozy and considerably ...