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Blind Sight

dc.contributor.authorBeecroft, Ryan
dc.contributor.copyright-releaseNot Applicableen_US
dc.contributor.degreeMaster of Architectureen_US
dc.contributor.departmentSchool of Architectureen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.external-examinerBrian Carteren_US
dc.contributor.graduate-coordinatorStephen Parcellen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.thesis-readerBrian Lilleyen_US
dc.contributor.thesis-supervisorSusan Moleskyen_US
dc.date.accessioned2010-12-20T14:33:53Z
dc.date.available2010-12-20T14:33:53Z
dc.date.defence2010-11-25
dc.date.issued2010-12-20
dc.description.abstractThis thesis focuses on the exploration of the sense of smell, touch, taste, and hearing as main design guidelines. In doing so, an architecture was developed which moves beyond the visual reliance of spatial understanding. The sense of touch became of primary interest as it is an immediate connection between oneself and the world. The site for this thesis is located in an urban environment in downtown Halifax, Nova Scotia. A sensitive design strategy was developed to blur the lines between the static geometries of the space with the dynamic influences of experiences. The program supports the display and creation of art. Promoting collaboration, this community building integrates those who are blind or of impaired vision with sighted individuals. Visual impairment became a vehicle as the true success of the building was found in how well it raised equal sensual awareness amongst users.en_US
dc.identifier.urihttp://hdl.handle.net/10222/13154
dc.language.isoenen_US
dc.titleBlind Sighten_US

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