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Das Bild des Fremden in der Dramatik Peter Turrinis und Rainer Werner Fassbinders

dc.contributor.authorTraykova, Liliya
dc.contributor.copyright-releaseNot Applicableen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.departmentDepartment of Germanen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.external-examinerDr. H.-G. Schwarzen_US
dc.contributor.graduate-coordinatorDr. Judith Sidleren_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.thesis-readerDr. Judith Sidler; Dr. Michael K. Houseen_US
dc.contributor.thesis-supervisorDr. Hans-Günther Schwarzen_US
dc.date.accessioned2011-09-06T14:14:53Z
dc.date.available2011-09-06T14:14:53Z
dc.date.defence2011-08-26
dc.date.issued2011-09-06
dc.description.abstractThe following Master’s Thesis aims to describe the social and intellectual state of Austrian and German society after World War II through the perspective of two internationally renowned modern playwrights - Peter Turrini and Rainer Werner Fassbinder. As part of the Postmodern movement, the two authors share the view that “modern man” is in a state of self-alienation and strive, through exaggeration and an emphasis on travesty, to bring the intellectually and socially impoverished condition of modern society on stage. Both plays analyze the discrepancy between Europe’s democratic spirit in the mid-sixties and the mentality of everyday individuals (“Katzelmacher”; 1968), as well as the institutional-representatives nearly forty years later (“Ich liebe dieses Land”; 2001), who continue to consider foreigners as a threat and devalue those individuals as outsiders and marginal figures.en_US
dc.identifier.urihttp://hdl.handle.net/10222/14229
dc.language.isodeen_US
dc.subjectContemporary German Literatureen_US
dc.titleDas Bild des Fremden in der Dramatik Peter Turrinis und Rainer Werner Fassbindersen_US

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