A Mouth with a Purpose: The Female Voice and Reclaiming Feminine Desire in Tess of the D’Urbervilles and Cometh Up as a Flower
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Segato, Noelle
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An analysis of how narrating female sexuality from a woman's first-person perspective, in comparison to an overtly male third-person limited omniscient view works to present female sexuality as innate, and women as whole individuals with their own desires, and agency to act upon those desires.