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The Early Reign of Oleg: Catherine the Great's Grand Ambition Towards Russia

dc.contributor.authorAng, Ai Lynn
dc.contributor.copyright-releaseNot Applicableen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.departmentFountain School of Performing Artsen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorEstelle Jouberten_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.thesis-readerJennifer Bainen_US
dc.contributor.thesis-readerJacqueline Warwicken_US
dc.contributor.thesis-supervisorStevan Bauren_US
dc.contributor.thesis-supervisorEstelle Jouberten_US
dc.date.accessioned2023-09-05T13:42:23Z
dc.date.available2023-09-05T13:42:23Z
dc.date.defence2023-08-17
dc.date.issued2023-08-30
dc.description.abstractThis thesis explores the eighteenth-century Russian Enlightenment, cosmopolitism, culture and humanities, and Russian music, under the reign of Catherine the Great (1762-1796). Petrine and pre-Petrine Russia was known for its autocratic and despotic rulers. However, Catherine was an avid disciple of Enlightenment philosophers such as Voltaire, Diderot, d’Alembert, Locke, Rousseau, Montesquieu, Beccaria, and Grimm. The objective of this research is to demonstrate Catherine's many “enlightened” ideals as she integrated them into Russia’s “most” important historical play, her very own The Early Reign of Oleg (1790) with music by Carlo Canobbio, Vasilij Pashkevich, and Giuseppe Sarti. This thesis also aims to illuminate eighteenth-century Russian music in the empress’s court.en_US
dc.identifier.urihttp://hdl.handle.net/10222/82932
dc.language.isoenen_US
dc.subjectEighteenth-century Russian Musicen_US
dc.subjectCatherine the Greaten_US
dc.subjectRussian Musicen_US
dc.subjectHistorical Playen_US
dc.subjectRussian Historyen_US
dc.titleThe Early Reign of Oleg: Catherine the Great's Grand Ambition Towards Russiaen_US

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