"More Life, More Everything": Drake's Relational Place
dc.contributor.author | Skinner, Ian | |
dc.contributor.copyright-release | Not Applicable | en_US |
dc.contributor.degree | Master of Arts | en_US |
dc.contributor.department | Fountain School of Performing Arts | en_US |
dc.contributor.ethics-approval | Not Applicable | en_US |
dc.contributor.external-examiner | Jennifer Bain | en_US |
dc.contributor.graduate-coordinator | Jure Gantar | en_US |
dc.contributor.manuscripts | Not Applicable | en_US |
dc.contributor.thesis-reader | Jacqueline Warwick | en_US |
dc.contributor.thesis-supervisor | Steven Baur | en_US |
dc.date.accessioned | 2019-08-26T17:23:05Z | |
dc.date.available | 2019-08-26T17:23:05Z | |
dc.date.defence | 2019-08-19 | |
dc.date.issued | 2019-08-26T17:23:05Z | |
dc.description.abstract | Throughout his career, rapper and singer Drake has been intrinsically connected to place, specifically his hometown of Toronto, Canada. However, upon the release of his 2017 playlist project More Life Drake's music began to demonstrate global influences. Using Massey's theory of relational space, I provide a contextual analysis of Toronto and Drake as well as an analysis of his song "Madiba Riddim". Ultimately I establish that Drake's music demonstrates Massey's theory of relational place by representing the global and local relationships that occur within Toronto as well as outside of it and that give it a unique sense of place. | en_US |
dc.identifier.uri | http://hdl.handle.net/10222/76306 | |
dc.language.iso | en | en_US |
dc.subject | Drake | en_US |
dc.subject | Aubrey Drake Graham | en_US |
dc.subject | Doreen Massey | en_US |
dc.subject | Progressive Sense of Place | en_US |
dc.subject | Space | en_US |
dc.subject | Toronto | en_US |
dc.subject | More Life | en_US |
dc.subject | Madiba Riddim | en_US |
dc.title | "More Life, More Everything": Drake's Relational Place | en_US |
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