A Coal Miner's Shadow
| dc.contributor.author | Pelissero, Adam | |
| dc.contributor.copyright-release | Not Applicable | en_US |
| dc.contributor.degree | Master of Architecture | en_US |
| dc.contributor.department | School of Architecture | en_US |
| dc.contributor.ethics-approval | Not Applicable | en_US |
| dc.contributor.external-examiner | Peter Sassenroth | en_US |
| dc.contributor.graduate-coordinator | Steve Parcell | en_US |
| dc.contributor.manuscripts | Not Applicable | en_US |
| dc.contributor.thesis-reader | Catherine Venart | en_US |
| dc.contributor.thesis-reader | Emanuel Jannasch | en_US |
| dc.contributor.thesis-supervisor | Susan Molesky | en_US |
| dc.date.accessioned | 2012-08-13T16:34:50Z | |
| dc.date.available | 2012-08-13T16:34:50Z | |
| dc.date.defence | 2012-07-09 | |
| dc.date.issued | 2012-08-13 | |
| dc.description.abstract | Light and shadow have the capacity to move us emotionally and create atmospheres that allow us to better understand stories. This thesis explores how light and shadow can propel the design of a music hall and museum space to commemorate the miners that lived and worked in the former industrial landscapes of Cape Breton, Nova Scotia, Canada. | en_US |
| dc.identifier.uri | http://hdl.handle.net/10222/15219 | |
| dc.language.iso | en | en_US |
| dc.subject | light | en_US |
| dc.subject | shadow | en_US |
| dc.subject | museum | en_US |
| dc.subject | music hall | en_US |
| dc.subject | coal miner | en_US |
| dc.subject | Cape Breton | en_US |
| dc.subject | underground | en_US |
| dc.subject | architecture | en_US |
| dc.title | A Coal Miner's Shadow | en_US |