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A Methodology for Reusing Timber Churches: Crafted Connections for the Rose of Sharon

dc.contributor.authorJuckes, Natasha
dc.contributor.copyright-releaseNot Applicable
dc.contributor.degreeMaster of Architecture
dc.contributor.departmentSchool of Architecture
dc.contributor.ethics-approvalNot Applicable
dc.contributor.external-examinern/a
dc.contributor.manuscriptsNot Applicable
dc.contributor.thesis-readerCristina Verissimo
dc.contributor.thesis-readerMaria Arquero
dc.contributor.thesis-supervisorMichael Putman
dc.date.accessioned2025-04-14T12:24:04Z
dc.date.available2025-04-14T12:24:04Z
dc.date.defence2025-03-17
dc.date.issued2025-04-09
dc.descriptionMaster of Architecture Thesis
dc.description.abstractChurches and places of faith are rapidly closing in Canada. In Nova Scotia timber churches represent an architectural identity and connection to craft. Churches hold intangible values, extending beyond the building fabric, and losing them represents a forfeiture of economic, environmental, and social potentials. Adaptively reusing churches is the most viable method for preventing their loss. There is a knowledge gap between architects and reusing churches, pointing to a need for a methodology. This thesis creates a methodology, for architects, for the adaptive reuse of timber churches in Nova Scotia. The methodology is tested through a design exercise for the Rose of Sharon Church in Yarmouth, Nova Scotia. Multiple iterations explore how additions can connect to existing structures. The design for the Rose of Sharon demonstrates how contextual factors, such as a layered history and relationships to craft, can influence adaptive reuse designs to create viable futures for timber churches.
dc.identifier.urihttps://hdl.handle.net/10222/84952
dc.language.isoen
dc.subjectArchitecture
dc.subjectChurch
dc.subjectAdaptive reuse
dc.subjectRose of Sharon
dc.subjectNova Scotia
dc.subjectTimber
dc.titleA Methodology for Reusing Timber Churches: Crafted Connections for the Rose of Sharon

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