Breaking the Black Box: Using Flexible Architecture to Connect Performance with the Landscape
| dc.contributor.author | Riekman, Nicole | |
| dc.contributor.copyright-release | Not Applicable | en_US |
| dc.contributor.degree | Master of Architecture | en_US |
| dc.contributor.department | School of Architecture | en_US |
| dc.contributor.ethics-approval | Not Applicable | en_US |
| dc.contributor.external-examiner | Deborah Gans | en_US |
| dc.contributor.graduate-coordinator | Steve Parcell | en_US |
| dc.contributor.manuscripts | Not Applicable | en_US |
| dc.contributor.thesis-reader | Maria Elisa Navarro Morales | en_US |
| dc.contributor.thesis-supervisor | Catherine Venart | en_US |
| dc.date.accessioned | 2012-04-05T12:35:40Z | |
| dc.date.available | 2012-04-05T12:35:40Z | |
| dc.date.defence | 2012-03-20 | |
| dc.date.issued | 2012-04-05 | |
| dc.description.abstract | Buildings are largely static objects, while the people and programs that inhabit them and the landscapes surrounding them belong to a set of more dynamic, shifting and interconnected systems. The intention of the thesis is to demonstrate a sympathetic resonance between landscape and body, as architecture. This will be explored through the design of a dance performance and rehearsal space at The Ross Creek Centre for the Arts in Ross Creek, Nova Scotia, Canada. | en_US |
| dc.identifier.uri | http://hdl.handle.net/10222/14599 | |
| dc.language.iso | en | en_US |
| dc.subject | Flexibility, Landscape, Body, Dance, Performance | en_US |
| dc.title | Breaking the Black Box: Using Flexible Architecture to Connect Performance with the Landscape | en_US |
| dc.type | Thesis | en_US |