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The Poet as Whole-Body Camera: Maxine Tynes and the Pluralities of Otherness

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dc.contributor.authorStone, Marjorie
dc.date.accessioned2015-09-23T18:48:31Z
dc.date.available2015-09-23T18:48:31Z
dc.date.issued1997
dc.identifier.issue2
dc.identifier.startpage227
dc.identifier.urihttp://hdl.handle.net/10222/63277
dc.identifier.volume77
dc.language.isoenen_US
dc.relation.ispartofThe Dalhousie Reviewen_US
dc.titleThe Poet as Whole-Body Camera: Maxine Tynes and the Pluralities of Othernessen_US
dc.typeArticleen_US

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Dalhousie Review, Volume 77, Number 2, 1997