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Renegotiating Authoritative Conventions: Wilkie Collins's Blurring of High and Low in The Law and the Lady, The Moonstone and Armadale

dc.contributor.authorGullander-Drolet, Louise
dc.contributor.copyright-releaseNot Applicableen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.departmentDepartment of Englishen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorDr. Carrie Dawsonen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.thesis-readerDr. Marjorie Stone, Dr. Julia M Wrighten_US
dc.contributor.thesis-supervisorDr. Rohan Maitzenen_US
dc.date.accessioned2013-08-23T17:57:23Z
dc.date.available2013-08-23T17:57:23Z
dc.date.defence2013-08-16
dc.date.issued2013-08-23
dc.description.abstractThis thesis is interested in Wilkie Collins’s blurring of high and low, authoritative and non-authoritative discourses, in The Law and the Lady, The Moonstone and Armadale. It looks at how these novels undermine the legal system, realism, and medicine respectively—three discourses that presumed high levels of authority during the nineteenth century. Collins supplements this undermining of authority by privileging less official approaches to human understanding and behavior. I argue that it is this self-reflexive subversion of Victorian normative values that renders his novels deserving of critical attention and reconsideration within the canonen_US
dc.identifier.urihttp://hdl.handle.net/10222/36233
dc.language.isoenen_US
dc.subjectCanon, sensation fiction, Victorian novel, authoritative, conventionsen_US
dc.titleRenegotiating Authoritative Conventions: Wilkie Collins's Blurring of High and Low in The Law and the Lady, The Moonstone and Armadaleen_US

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