Interpretation and Conservation of Sacred Space: A Ritual-based Approach
dc.contributor.author | Gaskin, Tara Kathleen | |
dc.contributor.copyright-release | Not Applicable | en_US |
dc.contributor.degree | Master of Architecture | en_US |
dc.contributor.department | School of Architecture | en_US |
dc.contributor.ethics-approval | Not Applicable | en_US |
dc.contributor.external-examiner | Andrea Kahn | en_US |
dc.contributor.graduate-coordinator | Stephen Parcell | en_US |
dc.contributor.manuscripts | Not Applicable | en_US |
dc.contributor.thesis-reader | Catherine Venart | en_US |
dc.contributor.thesis-supervisor | Maria Elisa Navarro Morales | en_US |
dc.date.accessioned | 2012-08-07T17:22:13Z | |
dc.date.available | 2012-08-07T17:22:13Z | |
dc.date.defence | 2012-07-10 | |
dc.date.issued | 2012-08-07 | |
dc.description.abstract | Traditional church buildings negotiate thresholds in a way that supports a program of cyclical and elevating rituals. Each threshold is marked by an architectural image, one that comes to be associated with a particular practice or event. This thesis begins with an analysis of the experience of sacred spaces, then considers ways to emphasize qualities of existing elements. The design inhabits the liminal spaces across thresholds and promotes the contemporary ritual practices of art. The chosen test site for the design methodology is Central Presbyterian Church on the bank of the Grand River in Cambridge, Ontario. A recent resurgence of the local creative community has drawn interest to the area and provides the basis of the user-based program for this project. | en_US |
dc.identifier.uri | http://hdl.handle.net/10222/15163 | |
dc.language.iso | en | en_US |
dc.subject | Sacred space | en_US |
dc.subject | Adaptive reuse | en_US |
dc.subject | Architecture | en_US |
dc.subject | Church | en_US |
dc.subject | Ritual | en_US |
dc.subject | Cambridge, Ontario | en_US |
dc.title | Interpretation and Conservation of Sacred Space: A Ritual-based Approach | en_US |