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"Does Not Fempute": A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guin

dc.contributor.authorHynes, Catherine
dc.contributor.copyright-releaseNot Applicableen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.departmentDepartment of Englishen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorDr. Carrie Dawsonen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.thesis-readerDr. Kathy Cawseyen_US
dc.contributor.thesis-readerDr. Alice Brittanen_US
dc.contributor.thesis-supervisorDr. Jason Haslamen_US
dc.date.accessioned2013-08-22T15:18:40Z
dc.date.available2013-08-22T15:18:40Z
dc.date.defence2013-08-15
dc.date.issued2013-08-22
dc.description.abstractUrsula K. Le Guin is often called a feminist science fiction author. Drawing on such theorists as bell hooks and R. W. Connell, I analyze three novels by Le Guin from a social constructivist feminist perspective. I discuss The Dispossessed as it relates to gender and the family in utopian writing, The Lathe of Heaven with respect to gender and race, and Lavinia and gender within the context of the overall trajectory of Le Guin’s writing. I conclude that these novels depict gender in ways that often essentialize identity, whether the novels’ presentations of gender align with liberal or radical feminist ideas, and sometimes represent characters more conservatively than the label “feminist author” might imply. I propose that Le Guin’s status as a feminist writer requires more specific qualification that accounts for the variety of beliefs in existence in contemporary feminist discourse.en_US
dc.identifier.urihttp://hdl.handle.net/10222/35455
dc.language.isoenen_US
dc.subjectUrsula K. Le Guinen_US
dc.subjectfeminist criticismen_US
dc.subjectfeminist science fictionen_US
dc.title"Does Not Fempute": A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guinen_US
dc.typeThesisen_US

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