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dc.contributor.authorCanning, Lewis
dc.date.accessioned2022-04-12T12:54:14Z
dc.date.available2022-04-12T12:54:14Z
dc.date.issued2022-04-12T12:54:14Z
dc.identifier.urihttp://hdl.handle.net/10222/81526
dc.description.abstractThe region of the Salish Sea represents for many the final frontier and is home to those seeking the alternative lifestyles it provides. The architecture of the area is the product of factors such as the skills of local craftspeople, The availability of materials, and the operation of informal economies. Many structures in the area are built without permits, without professionals and use salvaged materials. This is what I am calling guerrilla architecture. One common way this is done, is by building within a ten square meter footprint to avoid building permit requirements and their associated costs and headaches. These small structures are used as storage sheds, artist studios and permanent residences, and are potential tools for grassroots development. I intend to show through this example, that for architects to positively contribute to social, cultural and environmental sustainability, they must harness local building practices, and act as facilitators and educators.en_US
dc.language.isoenen_US
dc.subjectArchitectureen_US
dc.subjectSalish Seaen_US
dc.subjectGuerillaen_US
dc.titleTen By Ten: Guerilla Architecture of the Salish Seaen_US
dc.date.defence2022-03-15
dc.contributor.departmentSchool of Architectureen_US
dc.contributor.degreeMaster of Architectureen_US
dc.contributor.external-examinerChris Trumbleen_US
dc.contributor.graduate-coordinatorSteve Parcellen_US
dc.contributor.thesis-readerDiogo Burnayen_US
dc.contributor.thesis-supervisorNiall Savageen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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