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dc.contributor.authorMoir, Justin
dc.date.accessioned2019-08-28T15:03:54Z
dc.date.available2019-08-28T15:03:54Z
dc.date.issued2019-08-28T15:03:54Z
dc.identifier.urihttp://hdl.handle.net/10222/76327
dc.description.abstractIn this paper, I attempt to examine the writing of H. P. Lovecraft as a reflection of the anxieties around the notion of the American national identity in his era. Rather than simply a product of cosmic pessimism, I argue that Lovecraft’s writings reflect his anxieties around the state of America itself. By first examining Lovecraft’s skepticism of American foundational myths and self-conceptions in “The Doom that Came to Sarnath” and “The Dunwich Horror,” followed by an examination of his fears of an encroaching globalization and modernization that threatens the very idea of what it means to be an American as reflected in “The Call of Cthulhu” and “At the Mountains of Madness,” I argue that Lovecraft’s works reflect his own terrors of the instability and insubstantiality of the nation itself in the face of a rapidly changing modern world.en_US
dc.language.isoenen_US
dc.subjectLovecraft, H. P.en_US
dc.subjectAmerican Literatureen_US
dc.subjectCosmic Horroren_US
dc.title"IN THE MIDST OF BLACK SEAS OF INFINITY": THE UNDOING OF THE AMERICAN DREAM OF H. P. LOVECRAFTen_US
dc.date.defence2019-08-27
dc.contributor.departmentDepartment of Englishen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorDr. Kathleen Cawseyen_US
dc.contributor.thesis-readerDr. Anthony Ennsen_US
dc.contributor.thesis-readerDr. David Evansen_US
dc.contributor.thesis-supervisorDr. Jason Haslamen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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