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dc.contributor.authorFriel, Christopher
dc.date.accessioned2016-04-11T11:58:35Z
dc.date.available2016-04-11T11:58:35Z
dc.date.issued2016-04-11T11:58:35Z
dc.identifier.urihttp://hdl.handle.net/10222/71423
dc.description.abstractThroughout the history of art museums and galleries, the container, its contents, and the surrounding context, have retained a tuneful relationship; yet, in 20th century we witness a major shift, with the container taking centre stage, often to the detriment of the art and community. This thesis looks at this historical transformation, as a way to understand today’s polarizing container vs contents debate and embarks on an in-depth analysis of case studies throughout the western hemisphere, culminating into an architectural strategy, in pursuance of a ‘productive tension’ between Container + Contents + Context. The architectural proposal for this thesis is a new building for the Art Gallery of Nova Scotia, situated on the Halifax waterfront—the precise site of first settlement, and centre of the downtown core.en_US
dc.language.isoenen_US
dc.subjectArten_US
dc.subjectArchitectureen_US
dc.subjectContaineren_US
dc.subjectContentsen_US
dc.subjectContexten_US
dc.subjectTensionen_US
dc.titleBilbao Re-Effect: Container + Contents + Context Architectural Strategies for the 21st Century Art Museumen_US
dc.date.defence2016-03-23
dc.contributor.departmentSchool of Architectureen_US
dc.contributor.degreeMaster of Architectureen_US
dc.contributor.external-examinerAnne Cormieren_US
dc.contributor.graduate-coordinatorSarah Bonnemaisonen_US
dc.contributor.thesis-readerSusan Fitzgeralden_US
dc.contributor.thesis-supervisorDiogo Burnayen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNoen_US
dc.contributor.copyright-releaseNoen_US
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