The Poet as Whole-Body Camera: Maxine Tynes and the Pluralities of Otherness
| dc.contributor.author | Stone, Marjorie | |
| dc.date.accessioned | 2015-09-23T18:48:31Z | |
| dc.date.available | 2015-09-23T18:48:31Z | |
| dc.date.issued | 1997 | |
| dc.identifier.uri | http://hdl.handle.net/10222/63277 | |
| dc.language.iso | en | en_US |
| dc.relation.ispartof | The Dalhousie Review | en_US |
| dc.title | The Poet as Whole-Body Camera: Maxine Tynes and the Pluralities of Otherness | en_US |
| dc.type | Article | en_US |
| dc.identifier.volume | 77 | |
| dc.identifier.issue | 2 | |
| dc.identifier.startpage | 227 |
