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La Théorie de 'jeu de place' et les relations maîtres-domestiques dans le théâtre d'Eugène Labiche: Le Cas du Dossier de Rosafol
(Dalhousie University. Electronic Text Centre, 2008)
L'article La théorie de « jeu de place » et les relations maîtres-domestiques dans le théâtre d'Eugène Labiche : le cas du Dossier de Rosafol vise à examiner le fonctionnement du renversement de rôles (le plus souvent entre ...
Le Roman-feuilleton français au XIXe siècle
(Dalhousie University. Electronic Text Centre, 2008)
This electronic publication of Lise Queffélec-Dumasy’s celebrated work Le roman-feuilleton français au XIXe siècle inaugurates Belphégor’s e-library, whose principal goal is to help develop the study of popular literature ...
Fenomenologia del paesaggio: Il ruolo della descrizione in Le tour du monde en quatre-vingt jours
(Dalhousie University. Electronic Text Centre, 2008)
Roland Barthes states that all literary descriptions originate from a previously "framed" referent, understood first of all in pictorial terms. It may therefore be interesting to compare the different descriptive practices ...
Caroline Marbouty ou la 'fausse position' de la femme auteur
(Dalhousie University. Electronic Text Centre, 2008)
"Never like today has woman been as under-utilized. The only life accorded to her is that of her feelings, and feelings are devalued." ("Préface to Ange De Spola", Etudes de femmes, 2 volumes, Paris, Victor Magen, 1842). ...
Pourquoi tant d'histoires? T. Combe (1856-1933) ou la mesure des possibles d'une romancière et journaliste dans la Suisse de la Belle Epoque
(Dalhousie University. Electronic Text Centre, 2008)
At the beginning of the twentieth-century, a former teacher who became a novelist and newspaper writer, well-known even beyond the borders of her native Switzerland, buys a « house of her own » both cozy and considerably ...
Observer, témoigner, dénoncer: Le Reportage au miroir de ses stratégies argumentatives: Albert Londres, Chez les fous
(Dalhousie University. Electronic Text Centre, 2008)
Chez les fous is not considered nowadays as the most famous of Albet Londres' great "reportages". Its success at the time of its first printing in Le Petit Parisien in 1925, and in book form the same year by the publisher ...
Articles critiques de Théophile Gautier sur le théâtre de Labiche
(Dalhousie University. Electronic Text Centre, 2008)
Between 1838 and 1870, Gautier wrote 65 reviews of plays by Labiche. Before 1851, his compliments are somewhat vague, as if he had not immediately realized this author's importance. However, he is rarely harsh with him, ...
Théodore de Banville, critique d'Eugène Labiche
(Dalhousie University. Electronic Text Centre, 2008)
In his articles of theatre critcism, written intermittently between 1847 and 1881, Théodore de Banville touched on Eugène Labiche's theatre thirty-seven times. With only a few exceptions, his opinion is generally favorable ...
L'Art polémique du Panthéon: Le Cas de l'exposition des Portraits du prochain siècle (1893)
(Dalhousie University. Electronic Text Centre, 2008)
Held in Paris in 1893, the exhibition of the Portraits du prochain siècle gave rise to a polemic abundantly treated in the literary and political press of the moment. Displaying side by side the portraits of Michel Bakounine ...
Un Dispositif sous surveillance: La Parodie censurée chez Labiche
(Dalhousie University. Electronic Text Centre, 2008)
Like the other dramatic authors of their time, Eugène Labiche and his collaborators were forced to submit their plays to the government censors in order to perform. For instance, the censors forbided them to perform “L'Ut ...