Browsing Belphégor by Subject "novel"
Now showing items 1-20 of 72
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B. Traven, un esthète anarchiste
(Dalhousie University. Electronic Text Centre, 2007)Traven est un écrivain à la biographie mystérieuse. L'ensemble du monde littéraire et du monde militant le désigne comme anarchiste, dont nous retrouvons les idées à travers la lecture de ses romans. La poursuite d'un ... -
Caroline Marbouty ou la 'fausse position' de la femme auteur
(Dalhousie University. Electronic Text Centre, 2008)"Never like today has woman been as under-utilized. The only life accorded to her is that of her feelings, and feelings are devalued." ("Préface to Ange De Spola", Etudes de femmes, 2 volumes, Paris, Victor Magen, 1842). ... -
Chansons d'amour et roman sentimental populaire: Quand l'air ne fait pas la chanson
(Dalhousie University. Electronic Text Centre, 2002) -
Ciò che mi ha dato Salgari
(Dalhousie University. Electronic Text Centre, 2006)This article offers some thoughts on the recent revival of interest in Salgari's work. It focuses on the novelist's poetic universe and on his "recipes" to save reality from banality. It is essentially a personal reflection ... -
Cognitive Mapping im Cyberpunk: Wie Jugendliche Wissen über die Welt erwerben
(Dalhousie University. Electronic Text Centre, 2002)The first part of the article follows Fredric Jameson's analysis of cultural practices in Late Capitalism or Postmodernism. The second part discusses Cyberpunk - already proclaimed dead by some media and literary pundits ... -
Contes d'auteur: Etre écrivaine algérienne aujourd'hui
(Dalhousie University. Electronic Text Centre, 2008) -
Crímenes para armar: amuleto de Roberto Bolaà±o
(Dalhousie University. Electronic Text Centre, 2010)Twentieth century Argentine literature plays with genre. From the military junta’s dictatorship whose violence and clandestineness provoked historiography’s interruption in 1976, we discover a number of novels that closely ... -
Dalle appendici al libro: Su Salgari scrittore d'avventura
(Dalhousie University. Electronic Text Centre, 2006)Emilio Salgari originally started off writing for the daily press. No less than five of his novels were published first in daily instalments in various newspapers. These original versions, which have been reprinted only ... -
Des Stratégies argumentatives aux pratiques de lecture: Un Itinéraire de recherche de l'espionnage aux policiers
(Dalhousie University. Electronic Text Centre, 2010) -
Dumas et Ponson du Terrail sous le second Empire: Idéologie et esthétique
(Dalhousie University. Electronic Text Centre, 2010) -
Eclipse, exil et survie du krimi en Allemagne nazie (1933-1945)
(Dalhousie University. Electronic Text Centre, 2010)The German Krimi from the Nazi period finds itself in an ambiguous ideological position: how does one narrate the crime and its resolution when delinquency is not to be mentioned under the Third Reich and the police becomes ... -
Ecriture d'une histoire politique à travers le polar militant en Argentine
(Dalhousie University. Electronic Text Centre, 2010) -
El (des)orden social y la representación del castigo en la ficción de Sara Paretsky
(Dalhousie University. Electronic Text Centre, 2010)The concepts defining politics refer to human organizations that legislate rules for people living together in a society. The main purpose is to live in the most harmonious way as possible. It is this search for harmony ... -
Femme, je vous aime ... '? Nora Roberts, une inconnue sortie de l'ombre dans l'univers sentimental
(Dalhousie University. Electronic Text Centre, 2008)Even today, it is far from easy for a woman author to achieve recognition while working in an almost exclusively feminine genre, despised by the mostly male critics who wield power in the symbolic domain. Authors of romance ... -
Fenomenologia del paesaggio: Il ruolo della descrizione in Le tour du monde en quatre-vingt jours
(Dalhousie University. Electronic Text Centre, 2008)Roland Barthes states that all literary descriptions originate from a previously "framed" referent, understood first of all in pictorial terms. It may therefore be interesting to compare the different descriptive practices ... -
Geronimo as Translator
(Dalhousie University. Electronic Text Centre, 2002)Using French thrillers as a pedagogical tool in an advanced French culture class may prove pertinent on three levels. 1/ The reader benefits from the genre's specific effect -- he wants to know what comes next. And in order ... -
Gustave Aimard traverse l'océan, ou de l'utilité des mythes
(Dalhousie University. Electronic Text Centre, 2002)Gustave Aimard published several dozen Western novels in France, in the second half of the nineteenth century. Their success in France was replicated in the United States. It may seem paradoxical that a French author can ... -
I'm Not Scared' ...: I'm Marketable
(Dalhousie University. Electronic Text Centre, 2005)This article is a critical assessment of Niccolò Ammaniti's novel and Gabriele Salvatores' homonymous film I'm not scared in their attempt at portraying the point of view of a child within an Italian family at the end of ... -
Il caso Salgari e gli studi paraletterari in Italia
(Dalhousie University. Electronic Text Centre, 2001)By focusing first on the contemporary theories of literary criticism in Italy devoted to popular and mass culture, the author then reviews studies and scholarship related to Emilio Salgari (1862-1911), considered the ... -
Il Corsaro Nero e Il Capitano Blood: Una lettura comparata di alcuni lavori di Emilio Salgari e di Rafael Sabatini
(Dalhousie University. Electronic Text Centre, 2002)This article compares Emilio Salgari's novel Il Corsaro Nero and Rafael Sabatini's novel Captain Blood. Both stories share the same time-frame (the mid seventeenth-century) and the same geographical location (the Caribbean ...