| dc.contributor.author | Pelissero, Adam | |
| dc.date.accessioned | 2012-08-13T16:34:50Z | |
| dc.date.available | 2012-08-13T16:34:50Z | |
| dc.date.issued | 2012-08-13 | |
| dc.identifier.uri | http://hdl.handle.net/10222/15219 | |
| dc.description.abstract | Light and shadow have the capacity to move us emotionally and create atmospheres that allow us to better understand stories. This thesis explores how light and shadow can propel the design of a music hall and museum space to commemorate the miners that lived and worked in the former industrial landscapes of Cape Breton, Nova Scotia, Canada. | en_US |
| dc.language.iso | en | en_US |
| dc.subject | light | en_US |
| dc.subject | shadow | en_US |
| dc.subject | museum | en_US |
| dc.subject | music hall | en_US |
| dc.subject | coal miner | en_US |
| dc.subject | Cape Breton | en_US |
| dc.subject | underground | en_US |
| dc.subject | architecture | en_US |
| dc.title | A Coal Miner's Shadow | en_US |
| dc.date.defence | 2012-07-09 | |
| dc.contributor.department | School of Architecture | en_US |
| dc.contributor.degree | Master of Architecture | en_US |
| dc.contributor.external-examiner | Peter Sassenroth | en_US |
| dc.contributor.graduate-coordinator | Steve Parcell | en_US |
| dc.contributor.thesis-reader | Catherine Venart | en_US |
| dc.contributor.thesis-reader | Emanuel Jannasch | en_US |
| dc.contributor.thesis-supervisor | Susan Molesky | en_US |
| dc.contributor.ethics-approval | Not Applicable | en_US |
| dc.contributor.manuscripts | Not Applicable | en_US |
| dc.contributor.copyright-release | Not Applicable | en_US |
