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dc.contributor.authorSutherland, Samuel
dc.contributor.authorSutherland, Samuel
dc.date.accessioned2011-09-06T14:04:59Z
dc.date.available2011-09-06T14:04:59Z
dc.date.issued2011-09-06
dc.identifier.urihttp://hdl.handle.net/10222/14196
dc.description.abstractThis thesis investigates how Plato reaches his definition of the good at the end of the Philebus, and the relation of this definition of the good to the various parts of the dialogue. Through an internal reading of the Philebus and a critical evaluation of secondary scholarship on this dialogue, I argue that the various parts of the dialogue, especially the sections on dialectic and on the four genera, can only be understood as a unified whole with a proper grasp of Plato’s definition of the good. It is only in seeing the good as the first and last cause that the dialogue can be read as an organic whole.en_US
dc.language.isoenen_US
dc.titleBEAUTY, PROPORTION, AND TRUTH: THE GOOD IN THE PHILEBUSen_US
dc.date.defence2011-08-23
dc.contributor.departmentDepartment of Classicsen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinerN/Aen_US
dc.contributor.graduate-coordinatorEli Diamonden_US
dc.contributor.thesis-readerMichael Fournieren_US
dc.contributor.thesis-readerLeona MacLeoden_US
dc.contributor.thesis-supervisorEli Diamonden_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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