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dc.contributor.authorGrigorova, Martina
dc.date.accessioned2011-09-06T14:02:49Z
dc.date.available2011-09-06T14:02:49Z
dc.date.issued2011-09-06
dc.identifier.urihttp://hdl.handle.net/10222/14183
dc.descriptionThe thesis introduces the development of the aesthetic of the European literature text from Aristotle and Horace on until the beginning of the 20th century.en_US
dc.description.abstractThis thesis discusses how the concept phantasy appears in the first work of Franz Kafka Description of a Struggle. Through a close reading of this text the thesis will analyze the characteristics of Kafka’s use of the concept, and demonstrate how it differs from that of other authors. The thesis takes the definition of art by Oscar Wilde - „what is unreal and non-existent“ (Wilde 978) as a foundation for the discussion. The term phantasy will be used in the same way as Wilde defined art. The conclusion of the thesis is that Description of a Struggle confirms and develops the Romantic definition of phantasy given by the German philosopher Friedrich Schlegel: „Denn das ist der Anfang aller Poesie, den Gang und die Gesetze der vernünftig denkenden Vernunft aufzuheben und uns wieder in die schöne Verwirrung der Fantasie […] zu versetzen […].“ (Schlegel 211)en_US
dc.language.isodeen_US
dc.subjectPhantasie, Kafka, Ästhetiken_US
dc.titleDIE PHANTASIE IM WERK VON FRANZ KAFKAen_US
dc.date.defence2011-08-01
dc.contributor.departmentDepartment of Germanen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinernoneen_US
dc.contributor.graduate-coordinatorDr. Judith Sidleren_US
dc.contributor.thesis-readerDr. Michael House, Dr. Judith Sidleren_US
dc.contributor.thesis-supervisorDr. Hans-Günther Schwarzen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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