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dc.contributor.authorBrown, Jessica Lillian
dc.date.accessioned2011-09-06T13:59:09Z
dc.date.available2011-09-06T13:59:09Z
dc.date.issued2011-09-06
dc.identifier.urihttp://hdl.handle.net/10222/14161
dc.description.abstractThe purpose of this project is to identify and examine the reasons for which American singer, songwriter, and guitarist Joan Jett has been widely excluded from critical musicological study and discussion. The overall aim is to create a discourse around the problems of canonizing popular music and the subsequent marginalization of artists who do not conform to the standard identity associated with a particular genre. The thesis focuses on three songs from Jett’s career as the foundation for in depth analysis of her musical contributions and career as well as discussions about gender and authenticity in the music industry to establish Jett’s musical credibility and historical relevance in popular music studies.en_US
dc.language.isoenen_US
dc.subjectPopular Musicen_US
dc.subjectCanonen_US
dc.subjectJoan Jetten_US
dc.titleBad Reputation: Joan Jett and Questions of Canonen_US
dc.typeThesisen_US
dc.date.defence2011-08-16
dc.contributor.departmentDepartment of Musicen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinerSteven Bauren_US
dc.contributor.graduate-coordinatorEstelle Jouberten_US
dc.contributor.thesis-readerJacqueline Warwicken_US
dc.contributor.thesis-readerSteven Bauren_US
dc.contributor.thesis-readerRoberta Barkeren_US
dc.contributor.thesis-supervisorJacqueline Warwicken_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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