Browsing Belphégor by Title
Now showing items 69-88 of 386
-
Contents - Belphégor Vol 9 No 1
(Dalhousie University. Electronic Text Centre, 2010-02) -
Contents - Belphégor Vol 9 No 2
(Dalhousie University. Electronic Text Centre, 2010-11) -
Contents - Belphégor Vol 9 No 3
(Dalhousie University. Electronic Text Centre, 2010-12) -
Contes d'auteur: Etre écrivaine algérienne aujourd'hui
(Dalhousie University. Electronic Text Centre, 2008) -
Cosa c'è di male ad essere poltruomini?
(Dalhousie University. Electronic Text Centre, 2003-04) -
Couégnas, Daniel. Fictions, Enigmes, Images PULIM. Limoges, 2001.
(Dalhousie University. Electronic Text Centre., 2002-06) -
CRASH: Metafisica dell'ubiquità
(Dalhousie University. Electronic Text Centre, 2003)The culture of the twentieth century is characterized by three industrial products: the cinema, the car and science-fiction. All three relate to the way we experience time and space. In his novel Crash, J.G. Ballard uses ... -
Creating the Cinematic Illusion of Samson's Phenomenal Biblical Strength in Cecil B. DeMille's Samson and Delilah (1949)
(Dalhousie University. Electronic Text Centre, 2007-06) -
The Crime Fiction Canada Project
(Dalhousie University. Electronic Text Centre, 2005) -
Crise de genres, genres de la crise dans les années 20
(Dalhousie University. Electronic Text Centre, 2003)This article deals with a period of French literary history well-known for having been marked by a major discussion of the literary genre system: the nineteen-twenties. Its goal is to test the actual validity of a partition ... -
Crímenes para armar: amuleto de Roberto Bolaà±o
(Dalhousie University. Electronic Text Centre, 2010)Twentieth century Argentine literature plays with genre. From the military junta’s dictatorship whose violence and clandestineness provoked historiography’s interruption in 1976, we discover a number of novels that closely ... -
Crovi, Luca. Tutti i colori del giallo. Il giallo italiano da De Marchi a Scerbanenco a Camilleri. Marsilio. Venezia, 2002. 364 p.
(Dalhousie University. Electronic Text Centre., 2002-11) -
Cui prodest ? Réflexions sur l'utilité et l'utilisation de la théorie des genres dans la culture de masse
(Dalhousie University. Electronic Text Centre,, 2003-12) -
Dalle appendici al libro: Su Salgari scrittore d'avventura
(Dalhousie University. Electronic Text Centre, 2006)Emilio Salgari originally started off writing for the daily press. No less than five of his novels were published first in daily instalments in various newspapers. These original versions, which have been reprinted only ... -
DEBAT PREPARATOIRE AU COLLOQUE SUR LE GENRE TENU PAR LA LPCM A LIMOGES LES 3 ET 4 AVRIL 2003
(Dalhousie University. Electronic Text Centre, 2003-12) -
Denéchère, Bruno et Luc Révillon 14-18 dans la bande dessinée. Images de la Grande Guerre de Forton à Tardi. Turquant Cheminement, 2008. 167 p. ISBN 978-2- 84478-697-5 (br.) : 24 EUR. - EAN 9782844786968
(Dalhousie University. Electronic Text Centre, 2010-02) -
Des Stratégies argumentatives aux pratiques de lecture: Un Itinéraire de recherche de l'espionnage aux policiers
(Dalhousie University. Electronic Text Centre, 2010) -
Dieter Vermandere, Monica Jansen, Inge Lanslots (a cura di) Noir de noir. Un’indagine pluridisciplinare. Bruxelles: Peter Lang 2010, 270 pp. ISBN : 978-90-5201-630-6
(Dalhousie University. Electronic Text Centre, 2011-08) -
Dino Battaglia et Rabelais : Dialogues de l'écriture et de la bande dessinée
(Dalhousie University. Electronic Text Centre, 2005)Dino Battaglia has adapted quite a number of literary works to comics, one of them being Rabelais' opus, which was published in French by Mosquito (EDITIONS MOSQUITO 1ter, rue des Sablons 38120 Saint-Egrève, mosquito.edi ... -
Displacement and Shifting Geographies in the Noir Fiction by Cesare Battisti
(Dalhousie University. Electronic Text Centre, 2007-06)This article examines the recurrent theme of displacement in a series of novels and short stories by the exiled Italian author Cesare Battisti, both within a broader context of contemporary exile theory and, more specifically, ...