Browsing Belphégor by Title
Now showing items 124-143 of 386
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Gabilliet, Jean-Paul. Des Comics et des hommes. Histoire culturelle des comic books aux Etats-Unis. Editions du Temps : Nantes, 2005.
(Dalhousie University. Electronic Text Centre., 2005-11) -
Gadducci, Fabio. , Notes on the Early Decades of Italian Comic Art, San Giuliano Terme (PI), Felici, 2006. Opuscolo a colori, 28 pp., f.to cm 17x23, € 6,00.
(Dalhousie University. Electronic Text Centre, 2009-09) -
Garcin, Etienne et Hubert Desmarets ed. "Avatars du sacré dans la littérature populaire". Mélanges de Science Religieuse (59). Lille: Université catholique de Lille, 2002. 108 p.
(Dalhousie University. Electronic Text Centre, 2003-04) -
Gascoigne, David (ed.). Violent histories: Violence, Culture and Identity in France from Surrealism to the Néo-polar. Peter Lang, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: 2007. 207 p.
(Dalhousie University. Electronic Text Centre, 2008-06) -
Gely, Cyril et Eric Rouquette. Signé Dumas. Les Impressions Nouvelles. Paris, Bruxelles, 2003. 93 p. ISBN : 2-906131-66-0.
(Dalhousie University. Electronic Text Centre., 2004-04) -
Geronimo as Translator
(Dalhousie University. Electronic Text Centre, 2002)Using French thrillers as a pedagogical tool in an advanced French culture class may prove pertinent on three levels. 1/ The reader benefits from the genre's specific effect -- he wants to know what comes next. And in order ... -
Giet, Sylvette. Soyez libres ! C'est un ordre. Le corps dans la presse féminine et masculine. Paris : Autrement, collection « Le corps plus que jamais », 2005. 142 p. ISBN 2746706539
(Dalhousie University. Electronic Text Centre, 2006-11) -
Giornata celebrativa "Emilio Salgari"
(Dalhousie University. Electronic Text Centre, 2007-06) -
Gotlib's Progress
(Dalhousie University. Electronic Text Centre, 2004)This article traces the evolution of the French bande dessinée artist Marcel Gotlib (b. 1934). It draws upon strips from throughout his career, as well as upon an interview he gave me. As we shall see, Gotlib humorously ... -
Grivel, Charles. Alexandre Dumas, l’homme 100 têtes. Villeneuve d’Ascq : Septentrion, 2008. ISBN : 978-2-7574-0037-1.
(Dalhousie University. Electronic Text Centre., 2008-11) -
Groensteen, Thierry. La bande dessinée. Mode d'emploi. Liège : Les Impressions Nouvelles, 2008. EAN : 9782874490415
(Dalhousie University. Electronic Text Centre., 2008-12) -
Grove, Laurence. Text/Image Mosaics in French Culture. Emblems and Comic Strips. Aldershot, UK: , « Studies in European Cultural Transition », 2006. 187 p. ISBN: 0 7546 3488 4.
(Dalhousie University. Electronic Text Centre., 2006-05) -
Gustave Aimard traverse l'océan, ou de l'utilité des mythes
(Dalhousie University. Electronic Text Centre, 2002)Gustave Aimard published several dozen Western novels in France, in the second half of the nineteenth century. Their success in France was replicated in the United States. It may seem paradoxical that a French author can ... -
Hache-Bissette, Françoise, Fabien Boully et Vincent Chenille, James Bond Figure mythique. Paris: Editions Autrement, 2008, 188 p., –ISBN-13: 978-2-7467-1188-4
(Dalhousie University. Electronic Text Centre, 2009-09) -
Heer, Jeet and Kent Worcester (eds). Arguing Comics. Literary Masters on a Popular Medium. Jackson: University Press of Mississippi, 2004. 176 p. ISBN: 1-57806-686-7
(Dalhousie University. Electronic Text Centre, 2006-05) -
¿Héroes o villanos? Comics y derechos fundamentales en Estados Unidos
(Dalhousie University. Electronic Text Centre, 2011) -
Hommage à Ellen Constans
(Dalhousie University. Electronic Text Centre, 2009-09) -
Homo Sapiens & Homo Globine, ou Les avatars du vampire!
(Dalhousie University. Electronic Text Centre, 2002)The author offers a guided tour of the innumerable representations of the vampire, in novels as well as in the movies. He deals in particular with the migrations of the vampire from genre to genre and from media to media, ... -
Horreur des villes maudites dans l'oeuvre de H. P. Lovecraft
(Dalhousie University. Electronic Text Centre, 2004)Howard Phillips Lovecraft is forever weaving the same spider-web, in which both his hero and his readers invariably get caught. The real curse of his ancient cities (R'lyeh, Innsmouth, Arkham, Marblehead, Kingsport, Dunwich ... -
Horreur et fantastique: L'Animalité dans le film Nosferatu de Murnau
(Dalhousie University. Electronic Text Centre, 2004)Fantastic and horror, as they are experienced through literature, do not create fear in the same way. The feeling of the fantastic comes from the acceptance of the existence of a strange and disquieting alternate universe. ...