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Les raisons de Belphégor
(Electronic Text Centre, 2001-11)
Les Embarras de l'historien
(Dalhousie University. Electronic Text Centre, 2001)
"Cultural history" is becoming more and more accepted, but in spite of this increasing recognition, the history of the present still faces specific methodological problems. Three approaches dominate. The history of material ...
La nouvelle sphère intermédiatique II Le récit à l'époque de la culture médiatique : mutations et ruptures. Montréal, avril 2000
(Dalhousie University. Electronic Text Centre, 2001-11)
Information, médias et récit médiatique
(Dalhousie University. Electronic Text Centre, 2001)
Information is a product with a cultural dimension, representing an economic value and circulating trans-nationally. This mediatized information (divulged by micro-narratives that we both consume and contribute to create) ...
Medienkultur und Populärliteraturen
(Dalhousie University. Electronic Text Centre, 2001)
In Germany, cultural research as such dates from the beginning of the twentieth century. As for the study of media in an independent scientific context, it only harks back to the nineteen-sixties. However, research on ...
Le Terrain des images
(Dalhousie University. Electronic Text Centre, 2001)
Image is essential for a society to see itself. A new domain appears, the "visual", made up of what is made in order to be seen, which we can understand through its representation. This domain is dependent upon its support. ...
Belphégor's Motives
(Dalhousie University. Electronic Text Centre., 2001-11)
This article introduces Belphégor a journal covering popular literature and popular culture..
Pessin, Alain and Mimmo Pucciarelli, eds Les incendiaires de l'imaginaire. Atelier de création libertaire. Lyon, 2000. p. 337.
(Dalhousie University. Electronic Text Centre, 2001-11)
Contents - Belphégor Vol 1 No 1
(2001-11)
Cinquante ans de couvertures de Sélection du Reader's Digest
(Dalhousie University. Electronic Text Centre, 2001)
This article presents the rivalry between text and image within the Reader's Digest magazine and argues that the choice of cover illustrations - particularly in the French version of the magazine - was able to foster a ...