Belphégor: Recent submissions
Now showing items 201-220 of 386
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Théodore de Banville, critique d'Eugène Labiche
(Dalhousie University. Electronic Text Centre, 2008)In his articles of theatre critcism, written intermittently between 1847 and 1881, Théodore de Banville touched on Eugène Labiche's theatre thirty-seven times. With only a few exceptions, his opinion is generally favorable ... -
Un Dispositif sous surveillance: La Parodie censurée chez Labiche
(Dalhousie University. Electronic Text Centre, 2008)Like the other dramatic authors of their time, Eugène Labiche and his collaborators were forced to submit their plays to the government censors in order to perform. For instance, the censors forbided them to perform “L'Ut ... -
Chinoiseries sur scène: En avant les Chinois! (1858) et Le voyage en Chine (1865)
(Dalhousie University. Electronic Text Centre, 2008)Labiche and Delcourt, in En avant les Chinois! and Le voyage en Chine, use China as an excuse to make fun of typically French situations, and to give an exotic tinge to characters and situations that are very familiar to ... -
Zola critique de Labiche
(Dalhousie University. Electronic Text Centre, 2008)This article examines Zola's reading of Labiche in some of his newspaper reviews. Zola does not categorically condemn a kind of theatre that, at first sight, differs considerably from his own naturalistic ideal. Indeed, ... -
Labiche et la contestation de l'ordre établi
(Dalhousie University. Electronic Text Centre, 2008)Labiche dealings with censorship were not limited to the time of the Second Empire. Due to the State of Siege, and to the fact that all shows were strictly controlled by the military until 1875, the young Third Republic ... -
Le Nivellement du vaudeville: Remarques sur le para-discours chez Labiche
(Dalhousie University. Electronic Text Centre, 2008)Labiche excels in the vaudeville, which is considered to be a "minor genre": consequently he has been allocated no more than a marginal place in the field of literary studies. In order to rehabilitate his work, I choose ... -
L'Art polémique du Panthéon: Le Cas de l'exposition des Portraits du prochain siècle (1893)
(Dalhousie University. Electronic Text Centre, 2008)Held in Paris in 1893, the exhibition of the Portraits du prochain siècle gave rise to a polemic abundantly treated in the literary and political press of the moment. Displaying side by side the portraits of Michel Bakounine ... -
Femme, je vous aime ... '? Nora Roberts, une inconnue sortie de l'ombre dans l'univers sentimental
(Dalhousie University. Electronic Text Centre, 2008)Even today, it is far from easy for a woman author to achieve recognition while working in an almost exclusively feminine genre, despised by the mostly male critics who wield power in the symbolic domain. Authors of romance ... -
De la 'petite Annie' à la 'grande Ernaux': L'Evolution de la critique, des Armoires vides à Passion simple (1974-1992)
(Dalhousie University. Electronic Text Centre, 2008)This article offers a polemical perspective on the critical reception of Annie Ernaux's first books, over approximately twenty years. A methodical analysis of newspaper articles shows the workings of a pernicious, hidden ... -
Stratégies narratives et engagement politique d'une écrivaine au XIXe siècle: André Léo, L'Epousée du bandit (1880)
(Dalhousie University. Electronic Text Centre, 2008)The adventurous life and the complex oeuvre of André Léo (1824-1900) have long escaped the interest of literary historians and critics. It is only recently that this woman author has begun to emerge from a century-long ... -
L'Itinéraire d'une féministe romantique: Carolina Coronado, femme et poète entre force et fragilité
(Dalhousie University. Electronic Text Centre, 2008)Carolina Coronado, born in 1820 in a liberal Spanish family, received in spite of this a very traditional education and was expected to conform to her role as an obedient daughter and wife, whose life would be limited to ... -
Les Débuts littéraires complexes de quatre romancières régionales du Nord-Pas-de-Calais
(Dalhousie University. Electronic Text Centre, 2008)Quatre écrivaines du Nord – Pas-de-Calais, nées entre 1929 et 1949, Marie-Paul Armand, Annie Degroote, Raymonde Menuge-Wacrenier et Gilberte-Louise Niquet ont publié à elles quatre depuis 1985 une trentaine de romans ou ... -
Les 'Chéries noires': Ecriture féminine et roman noir
(Dalhousie University. Electronic Text Centre, 2008)Towards the end of the eighties and through the nineties, women have been increasingly visible and present in the field of French "noir" fiction, up until then reserved for men, as opposed to the more traditional thriller ... -
Contes d'auteur: Etre écrivaine algérienne aujourd'hui
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Fenomenologia del paesaggio: Il ruolo della descrizione in Le tour du monde en quatre-vingt jours
(Dalhousie University. Electronic Text Centre, 2008)Roland Barthes states that all literary descriptions originate from a previously "framed" referent, understood first of all in pictorial terms. It may therefore be interesting to compare the different descriptive practices ... -
Caroline Marbouty ou la 'fausse position' de la femme auteur
(Dalhousie University. Electronic Text Centre, 2008)"Never like today has woman been as under-utilized. The only life accorded to her is that of her feelings, and feelings are devalued." ("Préface to Ange De Spola", Etudes de femmes, 2 volumes, Paris, Victor Magen, 1842). ... -
Pourquoi tant d'histoires? T. Combe (1856-1933) ou la mesure des possibles d'une romancière et journaliste dans la Suisse de la Belle Epoque
(Dalhousie University. Electronic Text Centre, 2008)At the beginning of the twentieth-century, a former teacher who became a novelist and newspaper writer, well-known even beyond the borders of her native Switzerland, buys a « house of her own » both cozy and considerably ... -
Observer, témoigner, dénoncer: Le Reportage au miroir de ses stratégies argumentatives: Albert Londres, Chez les fous
(Dalhousie University. Electronic Text Centre, 2008)Chez les fous is not considered nowadays as the most famous of Albet Londres' great "reportages". Its success at the time of its first printing in Le Petit Parisien in 1925, and in book form the same year by the publisher ... -
Ouvrières des lettres: Les Romancières dans la production de la littérature de masse de la première moitié du XXe siècle
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Stratégies narratives et mises en scène lexicales du roman sentimental sériel contemporain: L'Auteure, le corps et les sentiments
(Dalhousie University. Electronic Text Centre, 2008)Love novels apparently suffer from an identity problem. It is generally thought that their women writers produce virtually identical novels according to a fixed recipe, described by Gustave Reynier as "a love, an obstacle, ...