Belphégor: Recent submissions
Now showing items 141-160 of 386
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Garcin, Etienne et Hubert Desmarets ed. "Avatars du sacré dans la littérature populaire". Mélanges de Science Religieuse (59). Lille: Université catholique de Lille, 2002. 108 p.
(Dalhousie University. Electronic Text Centre, 2003-04) -
Cosa c'è di male ad essere poltruomini?
(Dalhousie University. Electronic Text Centre, 2003-04) -
Francisco LAFARGA, Concepción PALACIOS, Alfonso SAURA (Eds.), Neoclásicos y románticos ante la traducción, Murcia, Universidad de Murcia, 2002, 450 p.
(Dalhousie University. Electronic Text Centre, 2003-04) -
Simone BERNARD-GRIFFITHS et Jean SGARD, Mélodrames et romans noirs. 1750- 1890, Toulouse, Presses Universitaires du Mirail, 2000.
(Dalhousie University. Electronic Text Centre, 2003-04) -
Dolores JIMÉNEZ, Evelio MIÑANO (eds.), Homenaje a Josefa María Castellví, Cuadernos de Filología, Anejo nº XLIX, València, Universitat de València, 2002, 416 p.
(Dalhousie University. Electronic Text Centre, 2003-04) -
Rev. of O Grau Zero do Escreviver de José Lino Grünewald. Org e Prefácio de José Guilherme Corrêa, São Paulo, Editora Perpectiva, 2002, 278 p. (Col Debates/crítica) ISBN 85-273 -0306. R$32,00.
(Dalhousie University. Electronic Text Centre, 2002-11) -
Littérature et reportage. Actes du colloque international de Limoges (26-28 avril 2000). Textes réunis par Myriam Boucharenc et Joëlle Deluche, Paris, Editions PULIM, Coll. Mediatextes, 2001, 226 p.
(Dalhousie University. Electronic Text Centre, 2002-11) -
Pessin, Alain and Mimmo Pucciarelli, eds Les incendiaires de l'imaginaire. Atelier de création libertaire. Lyon, 2000. p. 337.
(Dalhousie University. Electronic Text Centre, 2001-11) -
Belphégor's Motives
(Dalhousie University. Electronic Text Centre., 2001-11)This article introduces Belphégor a journal covering popular literature and popular culture.. -
La nouvelle sphère intermédiatique II Le récit à l'époque de la culture médiatique : mutations et ruptures. Montréal, avril 2000
(Dalhousie University. Electronic Text Centre, 2001-11) -
Multiples et multiplicationdans Perter Pan
(Dalhousie University. Electronic Text Centre, 2011)Une fonction émanée de l'art de la guerre, des techniques policières, de quelques uns des grands textes fondant la tradition narrative occidentale ; un mot déjà singularisé par la littérature, mais dans des acceptions bien ... -
Les masques de Jacobus Hook Partie I/II
(Dalhousie University. Electronic Text Centre, 2011) -
De Black Lake Island à Neverland
(Dalhousie University. Electronic Text Centre, 2011)Il comprend une mise en place historique de l'espionnage de papier. Il en rappelle les manifestations dans l'antiquité puis dans la littérature française jusqu'au XVIIe siècle ; il souligne l'importance de L'Espion Du ... -
Le mythe de Peter Pan ou l'angoisse du temps qui passe
(Dalhousie University. Electronic Text Centre, 2011)In literature, it sometimes happens that a story or a character particularly catches our attention, as well as any other person’s attention, no matter what their age, gender, level of education or native culture may be. ... -
La doble dimensión trágica de Barrie y Peter Pan
(Dalhousie University. Electronic Text Centre, 2011)Most of the works of James Matthew Barrie, Peter Pan in particular, explore the relationship between the adult's world and the child's one, with the death set in a privileged location, since only the dead children (as his ... -
Dorian Gray, Dracula, Peter Pan : trois refus de la modernité
(Dalhousie University. Electronic Text Centre, 2011)Dorian Gray, Dracula, Peter Pan : three mythical figures representing the refusal of the passage of time, all show up in London within two decades of each other, between the end of the 19th and the beginning of the 20th ... -
Les masques de Jacobus Hook Partie II/II La moitié qui écrivait de la main gauche… ou Généalogie du vilain nommé Jas. Hook POSTFACE AU DISCOURS CAPITAINE HOOK À ETON
(Dalhousie University. Electronic Text Centre, 2011) -
Réenchanter le monde : Barrie lu par Rackham
(Dalhousie University. Electronic Text Centre, 2011)The first illustrator of Peter Pan has also been, paradoxically, the one who has taken the greatest liberties with the character, in relation to the myth he will become, both iconographically and symbolically. Arthur Rackham ... -
De Kensington Gardens à Neverland : Peter Pan et ses territoires
(Dalhousie University. Electronic Text Centre, 2011)While constantly transforming the character and the adventures of Peter Pan, James Matthew Barrie also modified their setting. The island of Neverland took the place of Kensington Gardens, the original location of Peter ...