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Now showing items 1-10 of 18
Les raisons de Belphégor
(Electronic Text Centre, 2001-11)
De Turris, Gianfranco, ed. (with the help of Claudio Gallo) Le aeronavi dei Savoia. Protofantascienza italiana 1891-1952 Editrice Nord. Milano, 2001. p. 434
(Dalhousie University. Electronic Text Centre., 2001-11)
La nouvelle sphère intermédiatique II Le récit à l'époque de la culture médiatique : mutations et ruptures. Montréal, avril 2000
(Dalhousie University. Electronic Text Centre, 2001-11)
Le Dispositif des couvertures
(Dalhousie University. Electronic Text Centre, 2001)
Il caso Salgari e gli studi paraletterari in Italia
(Dalhousie University. Electronic Text Centre, 2001)
By focusing first on the contemporary theories of literary criticism in Italy devoted to popular and mass culture, the author then reviews studies and scholarship related to Emilio Salgari (1862-1911), considered the ...
Les Embarras de l'historien
(Dalhousie University. Electronic Text Centre, 2001)
"Cultural history" is becoming more and more accepted, but in spite of this increasing recognition, the history of the present still faces specific methodological problems. Three approaches dominate. The history of material ...
Belphégor's Motives
(Dalhousie University. Electronic Text Centre., 2001-11)
This article introduces Belphégor a journal covering popular literature and popular culture..
Pessin, Alain and Mimmo Pucciarelli, eds Les incendiaires de l'imaginaire. Atelier de création libertaire. Lyon, 2000. p. 337.
(Dalhousie University. Electronic Text Centre, 2001-11)
Medienkultur und Populärliteraturen
(Dalhousie University. Electronic Text Centre, 2001)
In Germany, cultural research as such dates from the beginning of the twentieth century. As for the study of media in an independent scientific context, it only harks back to the nineteen-sixties. However, research on ...
Cinquante ans de couvertures de Sélection du Reader's Digest
(Dalhousie University. Electronic Text Centre, 2001)
This article presents the rivalry between text and image within the Reader's Digest magazine and argues that the choice of cover illustrations - particularly in the French version of the magazine - was able to foster a ...