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Robot géant: De l'instrumentalisation à la fusion
(Dalhousie University. Electronic Text Centre, 2004)
Through the history of a sub-genre of science-fiction (cartoons featuring giant robots), this article attempts to identify how the robot switches roles, going from simple instrument to essential part of the plot. The various ...
Des Stratégies argumentatives aux pratiques de lecture: Un Itinéraire de recherche de l'espionnage aux policiers
(Dalhousie University. Electronic Text Centre, 2010)
Multiples et multiplicationdans Perter Pan
(Dalhousie University. Electronic Text Centre, 2011)
Une fonction émanée de l'art de la guerre, des techniques policières, de quelques uns des grands textes fondant la tradition narrative occidentale ; un mot déjà singularisé par la littérature, mais dans des acceptions bien ...
Les Embarras de l'historien
(Dalhousie University. Electronic Text Centre, 2001)
"Cultural history" is becoming more and more accepted, but in spite of this increasing recognition, the history of the present still faces specific methodological problems. Three approaches dominate. The history of material ...
Geronimo as Translator
(Dalhousie University. Electronic Text Centre, 2002)
Using French thrillers as a pedagogical tool in an advanced French culture class may prove pertinent on three levels. 1/ The reader benefits from the genre's specific effect -- he wants to know what comes next. And in order ...
De la 'petite Annie' à la 'grande Ernaux': L'Evolution de la critique, des Armoires vides à Passion simple (1974-1992)
(Dalhousie University. Electronic Text Centre, 2008)
This article offers a polemical perspective on the critical reception of Annie Ernaux's first books, over approximately twenty years. A methodical analysis of newspaper articles shows the workings of a pernicious, hidden ...
Observer, témoigner, dénoncer: Le Reportage au miroir de ses stratégies argumentatives: Albert Londres, Chez les fous
(Dalhousie University. Electronic Text Centre, 2008)
Chez les fous is not considered nowadays as the most famous of Albet Londres' great "reportages". Its success at the time of its first printing in Le Petit Parisien in 1925, and in book form the same year by the publisher ...
Médiagénie et réflexivité, médiativité et imaginaire: Comment s'incarnent les fables
(Dalhousie University. Electronic Text Centre, 2005)
This article deals with the concept of « médiagénie » (proposed by Philippe Marion starting in 1991) and its uses, as well as that of « médiativité ». Through various examples drawn mostly from the field of comic books, ...
Dorian Gray, Dracula, Peter Pan : trois refus de la modernité
(Dalhousie University. Electronic Text Centre, 2011)
Dorian Gray, Dracula, Peter Pan : three mythical figures representing the refusal of the passage of time, all show up in London within two decades of each other, between the end of the 19th and the beginning of the 20th ...
Theatrical aspects in the cinematographic adaptations of Peter Pan: reminders of the initial form of the story
(Dalhousie University. Electronic Text Centre, 2011)
While Peter Pan celebrates his hundredth birthday in 2011, we all feel like, beyond his existence in a play, a book or a film, the ageless boy Peter now belongs to the popular culture, along with legendary characters such ...