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Now showing items 31-40 of 79
Le Cyberspace opera, ou le Web à l'oeuvre
(Dalhousie University. Electronic Text Centre, 2005)
Le critiche rivolte al romanzo d'amore sembrano anch'esse talvolta prive di basi sufficientemente solide. Che sia leggibile e prevedibile è fuori dubbio, ma ciò non esclude l'utilizzo di tecniche di suspense per mantenere ...
Médiagénie et réflexivité, médiativité et imaginaire: Comment s'incarnent les fables
(Dalhousie University. Electronic Text Centre, 2005)
This article deals with the concept of « médiagénie » (proposed by Philippe Marion starting in 1991) and its uses, as well as that of « médiativité ». Through various examples drawn mostly from the field of comic books, ...
Le Roman-feuilleton français au XIXe siècle
(Dalhousie University. Electronic Text Centre, 2008)
This electronic publication of Lise Queffélec-Dumasy’s celebrated work Le roman-feuilleton français au XIXe siècle inaugurates Belphégor’s e-library, whose principal goal is to help develop the study of popular literature ...
Fenomenologia del paesaggio: Il ruolo della descrizione in Le tour du monde en quatre-vingt jours
(Dalhousie University. Electronic Text Centre, 2008)
Roland Barthes states that all literary descriptions originate from a previously "framed" referent, understood first of all in pictorial terms. It may therefore be interesting to compare the different descriptive practices ...
Caroline Marbouty ou la 'fausse position' de la femme auteur
(Dalhousie University. Electronic Text Centre, 2008)
"Never like today has woman been as under-utilized. The only life accorded to her is that of her feelings, and feelings are devalued." ("Préface to Ange De Spola", Etudes de femmes, 2 volumes, Paris, Victor Magen, 1842). ...
Pourquoi tant d'histoires? T. Combe (1856-1933) ou la mesure des possibles d'une romancière et journaliste dans la Suisse de la Belle Epoque
(Dalhousie University. Electronic Text Centre, 2008)
At the beginning of the twentieth-century, a former teacher who became a novelist and newspaper writer, well-known even beyond the borders of her native Switzerland, buys a « house of her own » both cozy and considerably ...
Images de la femme dans le roman sentimental
(Dalhousie University. Electronic Text Centre, 2009)
Information, médias et récit médiatique
(Dalhousie University. Electronic Text Centre, 2001)
Information is a product with a cultural dimension, representing an economic value and circulating trans-nationally. This mediatized information (divulged by micro-narratives that we both consume and contribute to create) ...
Observer, témoigner, dénoncer: Le Reportage au miroir de ses stratégies argumentatives: Albert Londres, Chez les fous
(Dalhousie University. Electronic Text Centre, 2008)
Chez les fous is not considered nowadays as the most famous of Albet Londres' great "reportages". Its success at the time of its first printing in Le Petit Parisien in 1925, and in book form the same year by the publisher ...
Séries, suites et redites en culture médiatique
(Dalhousie University. Electronic Text Centre, 2002)
The goal of the authors of this article is to discuss the specific form of repetition that Umberto Eco calls "remake". The serial aspect of remakes is based on the systematic use of processes of repetition that produce ...