Now showing items 1-12 of 12

  • Articles critiques de Théophile Gautier sur le théâtre de Labiche 

    Brunet, Francois (Dalhousie University. Electronic Text Centre, 2008)
    Between 1838 and 1870, Gautier wrote 65 reviews of plays by Labiche. Before 1851, his compliments are somewhat vague, as if he had not immediately realized this author's importance. However, he is rarely harsh with him, ...
  • Ce genre n'existe pas-pourquoi l'inventer? 

    Pillet, Elisabeth (Dalhousie University. Electronic Text Centre, 2003)
    Stand-up comedy is as low-brow as they come: oral, popular/vulgar, and of course not serious. It is also hardly studied by French academic criticism. In its case, even the problem of the devaluation of media genres (genre ...
  • Chinoiseries sur scène: En avant les Chinois! (1858) et Le voyage en Chine (1865) 

    O'Neill-Karch, Mariel (Dalhousie University. Electronic Text Centre, 2008)
    Labiche and Delcourt, in En avant les Chinois! and Le voyage  en Chine, use China as an excuse to make fun of typically French situations, and to give an exotic tinge to characters and situations that are very familiar to ...
  • La Redistribution des emplois vaudevillesques chez Eugène Labiche 

    Laporte, Dominique (Dalhousie University. Electronic Text Centre, 2006)
    Traditionally presented as the protoype of the French vaudeville, Labiche's theatre, quite apart from its generic exemplarity, constitutes a critique of the "well-done play" of Scribe. To this end, it substitutes to the ...
  • La Théorie de 'jeu de place' et les relations maîtres-domestiques dans le théâtre d'Eugène Labiche: Le Cas du Dossier de Rosafol 

    Cvetanovic, Sanya (Dalhousie University. Electronic Text Centre, 2008)
    L'article La théorie de « jeu de place » et les relations maîtres-domestiques dans le théâtre d'Eugène Labiche : le cas du Dossier de Rosafol vise à examiner le fonctionnement du renversement de rôles (le plus souvent entre ...
  • Labiche et la contestation de l'ordre établi 

    Krakovitch, Odile (Dalhousie University. Electronic Text Centre, 2008)
    Labiche dealings with censorship were not limited to the time of the Second Empire. Due to the State of Siege, and to the fact that all shows were strictly controlled by the military until 1875, the young Third Republic ...
  • Le Nivellement du vaudeville: Remarques sur le para-discours chez Labiche 

    Farnlof, Hans (Dalhousie University. Electronic Text Centre, 2008)
    Labiche excels in the vaudeville, which is considered to be a "minor genre": consequently he has been allocated no more than a marginal place in the field of literary studies. In order to rehabilitate his work, I choose ...
  • Portrait de l'anarchiste dans l'oeuvre littéraire de Ricardo Flores Magón 

    Doillon, David (Dalhousie University. Electronic Text Centre, 2007)
    Ricardo Flores Magón (1873-1922) was the instigator of the most radical movement of the Mexican Revolution, "magonismo". He was a militant, a propagandist, a journalist, but also a writer, who authored quite a number of ...
  • Théodore de Banville, critique d'Eugène Labiche 

    Edwards, Peter J. (Dalhousie University. Electronic Text Centre, 2008)
    In his articles of theatre critcism, written intermittently between 1847 and 1881, Théodore de Banville touched on Eugène Labiche's theatre thirty-seven times. With only a few exceptions, his opinion is generally favorable ...
  • Un Dispositif sous surveillance: La Parodie censurée chez Labiche 

    Laporte, Dominique (Dalhousie University. Electronic Text Centre, 2008)
    Like the other dramatic authors of their time, Eugène Labiche and his collaborators were forced to submit their plays to the government censors in order to perform. For instance, the censors forbided them to perform “L'Ut ...
  • Will and Love: Shakespeare, Volition, and Theological Romance 

    Dyck, Darren J. (2017-02-06)
    This dissertation examines four of Shakespeare’s love-plays through the lens of the medieval tradition of theological romance in order to assess the playwright’s use of Augustinian psychology in his depiction of dramatic ...
  • Zola critique de Labiche 

    Disegni, Silvia (Dalhousie University. Electronic Text Centre, 2008)
    This article examines Zola's reading of Labiche in some of his newspaper reviews. Zola does not categorically condemn a kind of theatre that, at first sight, differs considerably from his own naturalistic ideal. Indeed, ...