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dc.contributor.authorDeleskie, Caroline
dc.date.accessioned2016-08-31T18:56:49Z
dc.date.available2016-08-31T18:56:49Z
dc.date.issued2016-08-31T18:56:49Z
dc.identifier.urihttp://hdl.handle.net/10222/72177
dc.description.abstractIn the collected journal entry excerpts gathered in Gravity and Grace (1952), twentieth-century French philosopher and Christian mystic Simone Weil introduces her concept of “decreation.” Here, “decreation” refers to an act of renouncing the self—of undoing the self (physical or otherwise) in order to allow room for the desired object: God’s love. By reading the American poet Priscilla Becker’s collection Internal West (2001) in relation to Weil’s “decreation,” this thesis will examine how Internal West’s exploration of disembodiment embodiment finds Becker’s speaker undergoing her own secular form of “decreation” in order to bring herself closer to her own desired object: an interruption between the inner self and the external world as mediated by the body.en_US
dc.language.isoenen_US
dc.subjectanorexia nervosaen_US
dc.subjectcontemporary american poetryen_US
dc.subjectSimone Weilen_US
dc.subjectPriscilla Beckeren_US
dc.subjectdecreationen_US
dc.titleSecular Decreation: Acts of Undoing in Priscilla Becker's Internal Westen_US
dc.date.defence2016-08-31
dc.contributor.departmentDepartment of Englishen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorLyn Bennetten_US
dc.contributor.thesis-readerBart Vautouren_US
dc.contributor.thesis-readerAlice Brittanen_US
dc.contributor.thesis-supervisorDorota Glowackaen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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