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Dalhousie University

Paraboly [a machine-readable transcription]

Author: Mikhail Alekseevich Kuzmin
Translator: John Albert Barnstead
Edition: First edition, Berlin/Petrograd: Petropolis Press, 1922
Responsibility: John Barnstead and Vivien Hannon, chief editors and compositors
Publisher: Electronic Text Centre, Dalhousie University, Halifax, Nova Scotia, Canada.
Source: Edited from a copy of Paraboly, Berlin/Petrograd 1922, in the possession of the John Barnstead, 1999-2000
Encoding: Encoded in TEI-conformant SGML by Vivien Hannon, Robert Sawatzky and John Barnstead.


I
Poems about Art


To fling slant links
into mirror
sphere space, -
maniacal parabolas,
jingling, curl up a
stubbled raceme.

Tribal, zodiacal,
fields flame,
ether bubbles,
but all intersects
yield the still-
lettered scheme


of your name!


Like girls dream of grooms,
You and I talk of art.
O secret flock of cranes!
Lithe lurch of living flights!

Catherine is betrothed to Christ;
One soul throbs two hearts.
Wind whips cheeks of bloom,
Eyes go down in flames.

Winged and tangled blurts,
"I love" not quite restrained,
With what lovers' rendezvous
Could I compare such nights!

1921


The sense of your bidding is unclear:
to pray, to curse, is it, to fight
you bid me, inscrutable genius?
The spring slackens, niggard, meager,
and Benozzo Gozzoli's courier
dozes in the drowsy thickets.

Hills are dark with honeyed cloud.
Look: I do not touch lithe strings.
Your gaze, prophetically flying,
is clenched, gushes no winged streams,
and beckons by no May road, trying
to outstrip Hermes in his flight.

Hobbled horses do not neigh,
Aging warriors sprawl in disarray...
Hold your palms open wide!
Risen spring is bright,
but groves of darkness are not given
to leap for joy having leapt from dreams.

The groom names not the hour,
be not guiled to tarry,
hark through ice the clarion voice,
your flax is drenched with chrism,
and, bidding goodbye to numb laze,
free, in love, you will rise.

1921


Lighter than flame, tenderer than milk,
playing redly the flush of dawn
the stripling rushes from golden passage
peal in curls of heaven's croaking.

Sage in courage, in blindness archer,
when wingless you enter the chamber
cataracts fall, the wreath twinkles,
and you see worlds of unearthly greenery.

In the whirlwind's noise, in the light of armor,
still the same courier of the grandee's will.
Spandrel memory! Stow of revelations!
Float on, fumes of false caprice!

The king is crowned, the guest remembers,
the stranger slumbers, tabernacles are abuilding!
Holocaust! Dice-bones will rejoice,
but the blood keeps singing, hollower, thicker.

1921. December.


Art

May dew and haze
I catch in taut canvases.
Stuffed in a costrel tight,
I'll take them home come light.
Blissful constellations blaze
the Zodiac cites.
Planets make marriages
guarding my rite.
And now I pick the rotted plant
of bitter and of living life.
Vatic bubbling rants...
Flame, fiery ally!
All from death must sink from sight,
(Are the stars in well or sky?)
Clear stubble of bygone vine
I'm given again to derive.
Bark and pinkish light, -
Everything's back from dust.
Whoever knows no terror of decay
is never to be subject to destruction.
If wind's lush steed should pass this way,
it will not tip the treetop down.
An otherworldly spring will crown
the head, if holy fire's alive.

1921. May.


Muse

Nets cast into water glaze as
in dark lindens' vatic hush
pensively a maiden gazes
at the scales of magic fish.

Now in animalish rapture
scarlet tails they curl and swish,
Now, aquamarine, they capture
light, transparency their wish.

Ecstatic, she has misconstrued
the deep imprinted waters' fruit,
the head of Orpheus, supposed
to surface as a golden rose.


With toils cast out in mirrors' slanting glimmer,
I bent toward the sunset's greenish pool.
I trace the pattern of the barely rippling,
Somnambulist of lakes becoming gold!
Like blood that seeps from under cotton wool
Upon a granite slab appears a stripling,
And by the languid dark in honeyed summer,
Gray-visaged, he's prophetically encowled.

"Live, Unmoving one!" - eyelids will shiver,
I'll fall to touch his tender palms with greed,
Let my divine companion come to cool
The languor of an all but quenchless need.
I do not recollect, do not foresee, -
The flight of moments, light and loving, free,
You bring a halt to suddenly, forever,
By splendour of your cheeks becoming young.


Music

I hug you, -
Both the rainbow to the river
And the clouds flame
In God's hand.
You laugh, - rain in the sun,
The mignonette bedewed,
And cunning is
A lilac star with eyelash.
Like a cloven comet
Figaro clowns.
Mozart's Tarot
Is cryptic and clear.
Lethean bliss
Sleeps sweet in trombones,
A tarry monastery rings
in a copse of violins.
What shadows does
a gaze cast into space?
You don't know? And you mustn't
look back, my friend.
Whose heart begins to glisten
at the blue, blue Si?
The Debussy still listens
who never was to be.

May, 1922.


To O. A. Glebova-Sudeikina

"But this one is roguish," said
my nice friend, trying
to lend weakened voice
all wild romanticism of northern rivers,
all derring-do, all love, and all despair,
all bitter drunkenness of tragic meetings.
And to the distant screech, eyes downcast, listened
a novelist, a poet and composer;
the curtainlace night dozed outside the window
and it was quiet as a monastery.
"We were boating...
"Remember what happened!
"We didn't row, we kissed...
"Maybe I've forgotten."

Three days I went about beside myself,
longing, weeping, and loving,
and finally the fourth day
brought me my accustomed laze,
the premonition of other slumbers,
the breath of other heights.
And I thought, "free verse,
"piercing me, will pierce others, -
"piercing others, will save me,
"replacing longing with peace."
And I decided,
I was moved:
to take an old geography of Russia
and list
(any list hypnotizes
and bears imagination to the boundless)
all provinces, cities,
towns and villages
as they have been preserved
by Russian memory.
Kostroma, Yaroslavl',
Nizhegorod, Kazan',
Vladimir, Moscow,
Smolensk, Pskov.

Suddenly a halt,
a provincially fatal pose,
and a peaked cap slapped on aslant.
"Remember what happened!"
Everyone will remember, even those for whom there's really
nothing to remember, they'll begin to sigh willy-nilly
that the memory doesn't live for them.

In a second wave
I wanted to list
the sycophant saints
and the local holy places
as depicted
on old icons
in two, three, and four rows.
Publicly praying hands,
eyes sorrow, -
sounds of Kitezh
in the winter dawn.

Pechora, Kremlin, woods and Solovki
and Konovets Korelsky, blue Sarov,
thrushes, vixens, striplings, princes,
And only the Russian family of holy fools
and the country circle of devotions.

When will it slacken,
this tide,
another, forbidden one
floats inexhaustible
without holy processions
without bells
without patriarchs...

Clearing fumes, roadless tundras,
the police can't get to Vyga.
Underground men, flagellants and fugitives,
and in far marshes graves of those buried alive.
The rejected, most holy host
of the Free and Divine Spirit!
And this swarm has grown dim
And this one has disappeared
but the ninth wave
is still distant.
How terrifying it will be,
oh, how huge,
amidst the naked plowed fields
a new spring!

Again a halt
and enticingly
with every charm
of former happiness,
which had seemed irretrievable,
but personally and generally
and spiritually and secularly
in the inextirpable hope
of the retrievable -
Maybe you've forgotten?

Lord, is it possible?
Heart, mind,
hands, feet,
lips, eyes,
all being
would cry out:
"If I forget Thee?"

And then
(unexpectedly and boldly)
to offer up
the pages of "All Petersburg"
if only for 1913 -
trading houses,
wholesale especially:
Leather, saddlery,
Fish, sausage,
manufactures, stationeries,
candystores, bakeries, -
a sort of Biblical abundance, -
Where is this?
The flour bourse,
Lard, timber, ropes, whale oil...
More, offer more...
Fairs... there
in Nizhny, contracts, others...
Steamship lines... the Volga!
Just think, the Volga!
Where there's not only (believe you me)
just
Stenka's rock.
And by this
most secular stuff,
but closest, too,
shredding to the end
to finish suddenly, lyrically,
with episodes of Russian common life
and Russian nature:
Apple orchards, fur coat, meadows,
Beehive, gray wide eyes,
thaw, sled, the old homestead,
birch groves, and haymeadows all round.
That would be good.

Like stringing beads on thread
to pierce the listeners through by doing so.
But everything turned out completely wrong, -
and I've landed up a fool.
The new of my inventions and my words
has turned out to be poisonous to me.
I started to remember, for example,
that once there were real springs and the Albert,
that life was once like life and not like hunger,
that you and I were both a little younger,
but now all dreams are aimless,
the song still lives apart:
and the poet can't be blameless
if his poems don't make Art.


For A. Radlova

Shadows stretch in a gray swarm.
Guests knock unexpectedly at the door,
whisper: "What flesh shall we use to cover
"our transparent bones?
"In the pale whirlwind - dark and hollow
"corpses will shudder at the trumpet call...
"Who will breathe into us the breath of the soul?
"Who will infuse some hot blood?"

Here's blood; - it's mine and it's real!
Both seed and love - they're not transparent.
I give you eyeless vision
and living and inexhaustable life.
Blind tribe, you are given to approach,
long rotted and unborn,
Go, without even having existed,
without homeland, age, or name.
All countries, all years,
Men, women,
old folk and children,
renowned and unknown,
the Macedonian hero,
the schoolboy who didn't even shoot himself,
people with birth certificates,
with a firm place in the cemetery,
and light embryos,
quaint brain particles
young growth
and the Russian boy
who was slit in Uglich
you, Mitenka,
Live, grow, and caper!

Drink the sacred blood!
A new "Lifebringing spring" - the heart.
Living, not metaphoric, heart
by all the laws of God's anatomy created,
each beat bringing its end nearer,

Giving
taking
drinking
watering
sacrifice and sacrificer,
the dying deliverer,

the wonderworker hoping for wonders,
mysterious, divine,
weak, dear, simplest
heart!


Artesian Well

In the feathergrass steppe
Sources lie buried,
The thirsty sun knows
Life isn't raspberries.


In barren haymeadows
A child tarries,
Walnut crosier
Outstretched, gold-eyed,
The bracing treasure,
Slender, streams.


They bubble deep,
Both song and splashes, -
In the live coppice
An April peal.


More wondrous than God's lightning bolts,
The artesian well fills
The sham spays' dry dugs
With love's hypogean milk.


The Dowsing Muse

With rustle of yellow silk
of Venus's anise (bronze her metal) in a wave
like a pink spark
an iridescent wheel
like the gait of a double
with the stormy strings of harps
with an affectionate
(as if lowered by a telephone veil)
voice
like a blue icechip in the back
("drink! drink!" it nags)
with your eyes
a propeller amber in the sun
and like a rose (I shan't forget!) a rose!
It soars
tosses about
whispers
prophesies
enigmatic
blind
I sleep, eat
walk, kiss
not time
nor day
nor hour
(are you really a dentist?)
is known.
Muse, Muse!
A golden feather
(not a pheasant's, you see, not a pheasant's)
has been shed
fragmented - only God is whole.
Crazy - the spirit will take away the mind!
Incomprehensible - flying sphynx - a glance!
Healing - the sound of mirror spheres.

Muse! Muse!

I am not the Muse, I am the hazel coppice.
I am the vatic stripling's dowsing rod.

By day and light midnight I
am suspended toward the gold boat.

I twine like a honey-bearing fly.
I stretch out as a snowy shroud.
And don't call the tender flyer
wife or friend.
Turn around, and I'm a neighbour.
You love? The heart sweetly melts
and floats, exults, is praised
once parted from its repulsive cage.


The New Osiris

Weeder, weed the fields!
Maiden, rinse the cloth!
Isis, seek Osiris!
Flame, make cockles ash!
Windmill, knock, knock, knock -
Grind the swords to flour!

Reaper or hypogean queen? -
Who gathers rye in the moonlit Nile?
It's time to stop beside the weirs, -
It's there you'll find the hand that drowned,
You'll catch a shoulder someplace else,
The ears elsewhere... the back and hip...
It's hardest for the bride to find
The core of bracing fallow lands.

Isis, seek Osiris!
Maiden, rinse the cloth!

She makes the hacked up pieces whole.
Adonis of sepulchral heights!
The sibyl-soul divinely knows
That honey fills the hive bemoaned.
She wanders, drags her silver net...
All reals in waking dreams are mine!
But Psyche, last you'll find the heart,
invest my breast; I'll come to life.

Flame, make cockles ash!
Weeder, weed the fields!

The body shattered dies,
But whole it comes to life...
Like Isis, nights we wend
And find him piece by piece,
Singeing him we lave him
Invest him with new heart.

Windmill, knock, knock, knock -
Grind the swords to flour!

Dying in body it lives!
What lives no longer - still lives!
Rainbow of spheres and it lives!
Mirror of suns and it lives!
Holiest god and it lives!
Different flesh and it lives -
The fruit of an integral life!


II
Songs about the Soul


Along the black rainbow fly wing
My soul uncovered generous deathlessness.
The incessant bee circles in vain, -
It has not broken me of special prayers.

I float slowly from the flux of moist dreams.
I see dear pastures for the first time once again,
And what was once a breeze is captivating and new.
Through the twilight pattern the base shines blue.

Guilded sky vault smelted into tears,
The lap of getting well is not used up.
Amidst fantastic groves shines Helicon,
The icon dawns - a tender rose of stars!


Beneath white birch a lady in repose,
Not lady, but gold Polish panna poses:
She gives her silken, turquoise thread a jerk.
But then while counting crosses up she yawns,
The sewing frame slips from her knees to lawn,
And shines with blues of half-embroidered roses.

And haughtily, just like a brave young hussar
Who lets his coat hem flare in the mazurka,
Amour, unclothed and with his broadswept wings
Outstretched, in honey-lazy sky still lingers,
Stopping, o my soul, above to irk us,
He strikes the sleeping maid upon her eyelids.

Then how she shook herself, took up her task!
The silk, the sewing, sewing frame - seized all,
But in her golden pupil glory's red,
She caught the flash of pink heels as they fled.
And suddenly on canvas - fire and grass,
A ship and cavalry, the gulf and halls.

I thought: "You will embroider your beloved!"
She answered me: "His breath's in much!
"I woke up from my lover's touch
"And took up God's embroidery,
"But even dozing off I longed for joy,
"Desired the all-too-momentary boy."


Coves cut into sand -
curved
and flat;
Sunset steed leaps from the sky,
willows,
birches -
scraggy.
Running, running, running
a girl runs through the groves:
now she bows,
now she bends,
as if she tossed a ball;
the blue ribbon
flaps and trembles,
she's barefoot herself.
Her eyes are bird's eyes,
on her temple rouge like a tassel...
Bitter orange
yellows in autumn grandeur...
Soon night the nun
will wave her habit at the sea,
not ancient at all.
The point isn't marble,
or stentorian trumpet,
but widow's bosom,
mother's womb,
warm grave.
Both
asked:
granddaughter and grandmother
(she is good,
the old one knows all)
the bright star is to wait,
to run as far as the woods,
but the speckled moor hen
flew away,
the meadows grew dark...
"Come home!" -
they cry beyond the river.
The girl keeps running, running,
little fool.
She's run half a hundred years,
but the end's no nearer.
Her heart hardly beats.
Above in the dark a song
sweetly enthralling,
consoling:

Tiralee, tiralay! I am Psyche.
Tiralee-to-to, tiralee-to-to.
I don't have wings of motley,
but no one's ever caught me!
Tiralee-to-to!

Enough of running, my little mouse!
Hear the cry from the river: "get into the house!"

1921.


Love

Love, little friend of the body,
You flew up like a lark,
As blissful and as stark
As an arrow of God.

Now only song is slather,
Still slithers round the well.
Happy til they fall
Are those who've seen the father.

Slumbrous shades grow thick...
Prick up your ears, be glad,
The soul flies to the body,
Breathing heaven's jasmine.

1922.


Ariadne

Plane tree shadows are refreshing,
Princely purdah all-too-cramped, -
Ariadne, Ariadne,
Theseus has just decamped!

Almond petal downward threading,
Stubborn-rooted, though, your race.
Draw the veil (there'll be no wedding)
On your reddened eyes and face.

Don't regret the spring you wished for,
Don't chase after willow wisps.
Ever clearer through dawn mist your
Vatic scythe gleams gold and whispers:

"Fruit will follow after flower,
"Blue and purple downward slide, -
"Dionysus waits his bride.""


Glassy heart and glassy breast
Ringing from the slightest touch,
But, stern guardian, take care,
So hypogean murk won't bleed
Through this gleaming barrier.

Tendoned lattice, flow of secret veins,
Movement of particles, love and power,
Ebb and flow of tides, mysterious exchange,
Whole pitiful structure be blessed:
Our essence loved for it and scoured.

Of stars, of cloud, of grass, of us
I soothsay from the singing well,
But in the sweet, irreparable hour
The heart will surge towards the glass,
The diamond spill out in piercing glow.


III
Sea Idylls


Tristan's Elegy

Salt spirit of the hoary sea,
Beyond the cape the green dusk dimmed,
The shepherd sings for Tristan's wake -
O heart! Olay - olayeh!
Weeping willow wisp!

Far the homely apple tree,
A foreign river pinkly sleeps...
No birds, no clouds, not one small breeze...
O heart! Olay - olayeh!
Where is your hand?

Silent, drooping, Kurvenal looks bleak;
The weed-choked spring glugs wistfully,
When, when will the moment come,
O heart! Olay - olayeh!
What will we see transatlantique?


Dusk

The opal, filled with milk,
purpled, ingloriously fell,
from wistful cliffs afar
Celtic Yaroslavna weeps.

Above the water boats still laze,
a second ridge sleeps overhead.
Here a grizzled seaman prays
about his catch and daily bread.

A witch whips up against the moon
the deadly lusts in grand deluges.
Grand Saint Michel, protŠge nous!
Guard us from somnolent delusions.


Doldrums

Eaoeu ioey!

Sky dyer, spill
a clay pot of pigeons
on the lazy line of ships.

Eaoeu ioey!

Sun hermit, take pity:
don't dump the seething chrism
of fields you've melted.

Eaoeu ioey!

Give me flutters now, not poplars,
Rowing makes the lips grow white,
Pigeon rustle showing dimly.

Eaoeu ioey!


Bathing

The bodies of
young horsemen smell
of horse sweat and
male spinsterhood.

Oil drowses on
unruly curls.
Lances shuddered,
Harness jangled.
Woods rang out with
foxes barking.
Sparta, Sparta!
Leto's walls!

Sand coils flatly,
the sea is far.
The bathing cart
looms high above.
On grayish wool
a purple band.

Woods rang out with
foxes barking.

Avenue of English backs...
A whistle: "How do you do?"
A neck grew pink
in the slight cold.
A shepherd snuffles in his panpipe,
willy nilly looking good.

Sparta, Sparta!
Leto's walls!

Ruddy hands have surfaced, -
like sultana grapes, -
pink-coloured dust,
the waterfall breaks.
O brave garden
of renewed fact!

Sparta, Sparta!


Aphrodite's Star

O pharos of Ptolemy Philadelphus,
torchbearing sign of phantasy
that like succulent grass
from the gold-lacquered smaragds of the sea
a sail of auroral dust rises
and casts a ray, disputes with swords of sky.

Into the rainbow of other excellencies,
the circle of ripples surrounded by nipples,
a magic plough
has woven our secret wandering too.
The purple-curled, dusky winebibber
portended a magic creation.
Pensively we floated
on the somnolent bosom
towards the gentle slope
of the green heavens.
To spite Aquilon
we forgot the storm
by the pink dust
of reddened wonders.

Time is melted.
It's light in the West -
The cockerel is distant -
the prophetic hour...
Nobody answered,
but vatic seed,
the flying burden
descended upon us.

I bent to the wave...
the sails fell,
the lights bobbed
in the standing water.
In the mouth of the Nile
I'd washed, been made holy,
and supernally languished
by the evening star.

And I recall your face,
now easily recognize
the cooling ash of parted hair
and violets of spring eyes.
In the bronze glisten of the ship,
in the winding movement of the stairs,
in the roar of morning sirens
I hear the same quiet.
An angel works the buffet,
but in the orange band
I see the quick soft nimbus
by the compliant ears.
The boy bent overboard, -
and the green glow
splashed him in the face,
as if old Nile remembered.
That bold grin,
those pink lips,
the winged walk,
familiar eyes!
Where's the sea? And where's the pharos?
And the little ocean liner?
You're sitting here beside me
And we're going nowhere now,
but it's like then, so much like then!
And remembrance is singing:
it enchants just like before,
Aphrodite's star.


For Yuri Yurkun

IV
A Journey through Italy


Invitation

The sun that was basking on the pink armchair
has crossed over onto the bed with a flare.
Although you look like Beardsley at times,
still it's time for you to rise and shine.

Baedeker gives such clear advice:
Everyone planning a trip
should leave care behind with his grip
and forget sloth and grief in a trice.

The cheerful herald of a fine spring morn
has trumpeted the posting horn:
You'll have all night for sweet repose,
My ray's already lit the rose.


Morning in Florence

Or San Michele
A hill of mimosas!
The play leads to
the carefree goal.
Put a small twig
in your linen lapel, -
you pass the whole day
with the sprightly sprig.
In the huge dining room
crystal is jingling.
The sadness of a
new smile is sweet!
A sort of exceptional
and easy moment:
the covers of books
gleam like straw.
What April have we
woken up in?
And can it be
there's really no jail?
Fresh and cloying...
Eau de cologne?
The carriage is waiting,
to the balcony rail!

April, 1921.


Virgil's Birthplace

Glimpsing now the green backwaters -
lazy Mincho near Mantua -
slow we our besotted journey,
magically sigh: "Lead on!"

Milky fumes creep past like marsh gas
Oxen lay in pastures damp,
Sweet to tumble in the thick grass,
Seek no other happiness!

Cooing of the doves despondent,
buzzing of belated bees,
Virgil's shade goes floating onward
like a white cloud on the breeze.

Flying! Flying! We are led now,
pilgrims, by another guide,
Hell can give us no new terrors,
nor Gehenna, gaping wide.

Purgatory passes, too, while
Venus, faithful, mounts her stair;
with the merry morning springtime
roses purify the air.


A Trip to Assisi

Air is fresh and free here after
the exhaustion of our sheets...
Gay, our little donkey takes us
to the highest holy place.

Carefully we weave our way; the
city's shallow yet so deep.
Shoulders smell of tepid honey
Oozing in the sun's full heat.

On the grass the living dew lies
and the chirp of mountain birds, -
baby brother Francis praised and
gave you blessing with the herds.

Back of grapevine stubbled stems there
stands a fence that's worn and peeled.
Now we stop for cheese, salami,
and a chat there in a field.

Sky and swallows, leaflets flying!
Shallow crackling jingles round.
And the little topaz points lay
on your necktie's gray background.

Home, we douse the light and lay there
sweetly and so happily,
Having carried out our pious
loving promise, now we're free.


Coliseum

Moonlight on the Coliseum
costs one lira to take in,
fair enough for forestieri
and the masses journeying.
Brutalizing escapades - the
most theatrical of worlds -
helped the persecuted faith to
bring its heaven down to earth.

We are not your average tourists,
we are more your lazy bards, -
no economizing: counting
night by day by night's too hard.
Fragrant stock beneath the window,
stones grown hot by end of day,
the forgotten reservoir is
dying now, and flows away.


Venetian Moon

Full moon lusts
Desdemona's parlor.
At length and loving
Lagoonside lemon spirit...

Half-dozing queen
lost playing with mirrors,
she lets little moon flecks
onto the reddened glass.

Like Dandolo I'm famed
beneath a penthouse grave.
O azure shoulders!
Lavender-tangled hair!

We don't laugh, we only breathe,
embrace and kiss...
Every boatman by his boat is
on this night Endymion.

1921


Catacombs

Purple mourning iris wounds, sweet, rank,
And slowly wafting rot of ages dazes,
White does long for Lethe's lake and laze as
Sirens weep abandoned on the bank.

O via Appia! O via Appia!
Blessed martyr, Saint Callistus!
What memory, so clear and weightless,
Like honey heated warm, the soul holds true.
O via Appia! O via Appia!
Greetings to you!

Like infants' shades songs Orpheus has sung,
Jonah willow-boughed recalls the whale.
Around the Shepherd's neck the lamb is hung,
Beyond the cedar's summit twilight pales.

O via Appia! O via Appia!
Refuge of souls and the road where we die!
With your pasture, mourned and blessed,
You melted down our niggard breast,
O via Appia! O via Appia!
Loving, to sigh.

1921.


V
Phaedra's Flame


Phaedra's Flame

The burning wind bears plague,
lava flows from redhot heights,
fatal springs begin to flow
a curled horn
wheezes
an ancient story.
Eye
swords
through passion's stormclouds
with lilac
(how familiar and how new)
gleam blinds
(the poison of Cretan Venus is
powerful!)
the heart!
The battle of silk turtledoves
sleeps soundly.

Calm down, heart!
Remember the high house!
Pathian dove,
do not trouble the Jordan
with your gray wing!

Gold-girdled Cretan
in the longing blueness of the cedar
hungry for the mountain wind,
Ill-fortuned Phaedra
languishes before death
(is she not the hypogean queen?)
like a vial filled with poison,
he lilac eyelids lowered,
wrists heavy to the hands.
The auburn tresses burn
the foam of the veils
of passion is heavy!
(Betrayal! Betrayal!)
The honeyed dews will not
descend to the breasts forever!

Sister of burned Semele,
Pasiphae's kin and blood,
Conception of monsters,
seeing the horseman Hypolytus,
knowing Diana's threats,
wound by a frenzied spirit
in empty embrace
the body raves.

Who cried out "Insanity"?!
Breath of Sahara,
gusting, ordered
panting Echo
to wheeze out to "love" - "death".
Hollow eyes to hollow heaven
rumbled "Insanity!"

You got up early in the morning,
Washed yourself and prayed,
And then got down to business
neither languishing nor sorrowing.
You recognized heaven on earth,
Like the grace of the high heavens
smallness made you merry
as a small child.
And as a child you knew
that your own sufficed for all
and the round dance of flying days
weaves in harmony,
That in spring the snows play
and berries turn scarlet in summer
that in the fall-red fruit
the ripe year ripens for God.

The winged pipe sings!

Heavenly pattern,
earthly cloth.
Forget reproach.
Stand like a man!

The winged pipe sings!

Who cried out "Insanity"?!
Raise your lilac eyelids, Phaedra!
Look at the round sun, Phaedra!
Don't weary my liver, Phaedra!

Maniacal queen, do you know
what you reflect
with your distorted mirror?
What has corrupted
the image of the gold-tressed god?

The sun is love!!

The world is built by love.
Loving, love and loved -
the Holy Trinity!
It creates
Warms, illuminates,
sanctifies and blesses,
but gather willfully
he rays in the magic focus
of the mirror of passion -
and burning retribution,
the death of Icarus,
Gomorrah's fire
is what you'll be repaid!
Sorrow! Sorrow!

Why does the wan and wearisome cloud
cover my eyes as well?
The storm
sounds in the pitch-black depths:
Phaedra! Phaedra! Phaedra!

Slim-hipped stripling,
bold keeper,
perhaps Willy Hughes,
Florentine guest,
where are you flying
forgetting our alliance?
Why don't you drive off
the plague-bearing blowing
of ancient birthplaces?
You are barren
you are fruitful
Sower of the world,
Father of creatures,
for whom Shakespeare's sonnets languish.

Your room is clean
washed and swept,
a candle burns,
the table's set,
- loving, love and loved -
Holy Trinity,
Visit us
And may mad Phaedra's wind
be transformed into
the vatic whirlwind of Pentecost!

May, 1921.


VI
Around


Another love has blossomed
beneath the new year's star
and nonetheless it's almost dear,
so closely living interwove
it with my own miraculous fate.

There's not enough? Then you're a miser,
Enough? Then generous, ingenuous.
Young lady loves young gentleman
but the insubstantial palace
is not brought down by this love.

Newcomer, welcome to our house!
Don't be frightened, snowy Psyche!
We'll find room for you as well
and the brimming reservoir
will overflow with new tendresse.


To A. D. Radlova

Obstreperous, your spirit has not tired
Of wailing and breast-beating like a bird.
And your dream of golden freedom's mired
In the faithless gleam of mirrors blurred.

Your eyes you gave up to the crowd,
Your heart to the trample of hooves,
But conjurings sung aloud
Have left your wise sign unmoved.

Without a tremor opened veins
Let thick blood spurt and well.
Your poem "Universal Spring"
has conjured up itself.

April, 1921.


Errand

Pilgrim, if you're ever in Berlin,
Among the German people dear to me,
Where Hoffmann, Mozart, Chodowiecki lived,
(And Goethe, how could I have left out Goethe!)
Convey my bow to passersby and houses,
And to the old, standoffish little lindens
And to the flat surrounding countryside.
I would imagine everything has changed there -
I wouldn't recognize it if I went.
I know, though, somewhere in Charlottenberg,
Some Straáe with a name I can't remember,
Towheaded Tamara has made her home
With her mother, sister, brother too.
Ring the bell but ring not very loudly,
So that she would come outside to meet you,
Face arranged in an appealing grimace.
Tell her that we're still alive and healthy,
That we reminisce about her often;
We haven't died, we've even hardened somehow,
And they'll declare us saints now any day -
What with fasting, tea-totaled and shoeless,
Living off the bread of holy scripture -
That we've become quite poor (but that's no news now, -
I've never known a sparrow to own estates)
We've gotten caught up in a great new business -
We're selling everything and buying zip.
We keep on looking up to springtime skies
And thinking of our friends so far away.
Whether we have hearts grown tired and weary,
Whether we have hands grown slack and weak
Let them decide from reading our new books,
Which may be published someday soon, God willing.
But put it all in not too many words,
So that she won't get bored with listening.
But if, as journeys take you even further,
The other Tamara should cross your path, -
Pilgrim, tremble, pilgrim, thrill and quiver,
Cover up your face with both your hands,
So that death won't take you on the spot
As you hear that memorable voice
And trace the vatic movements of the Firebird,
Looking at the dark and flying sun.


Christmas

The Infant was born without birth pangs
but we are born in pain:
still the vatic sky-vault trembles
when it learns about new songs.

No sweet voice but fearsome cry
will cut across the darkened womb:
Blind, the foetus is not used to
think his way is like the tomb.

And it was no eastern star
curled like a bloody meteor
but it was planted once for all
by a transfigured stare.

Why does the witching spirit drowse, we ponder?
We are secret, damp and naked...
Tugging at their three-flapped fur caps
unpreceded magi wander.


L'Augellino Belverde

Those in whom the flight of loving
Lives have hearts that beat like wings,
Carlo Gozzi sets them singing
With a tiny verdant dove.
In the surface of the mirror
Topaz of the moon's no clearer
And the tale unfurls each page
Like a curtain on the stage.

Signorine e Signori,
Take your places, take your ease!
Here are some enchanted pictures,
Scrutinize them closely, please.
Lofty models may ensnare you,
And the flute sound, airy wraith,
May perhaps take flight and bear you
To a land of wondrous faith.

Where the statues all are chuckling
There among the diamond kings,
Orphans may be found swashbuckling,
Keen for new adventurings...
When you hear the silky whisper
Of the dancing water's swell
Fruits of melody seem crisper
Than the tongue of man can tell.

Then behind the rosy feathers
Rains of rockets ripple down.
Actors, poets - we'll see whether
They'll not dwindle once ungowned.
We'll reveal the gears and spindles,
All the jury-rig of dreams.
And romance will be rekindled
Just as bright as once it seemed.

E. T. Amadeus brought us
Fairytales we sweetly dream...
And from every scheme he taught us
Swarms another little scheme.
Our imagination's booted:
Shod by Puss in Boots to boot...
Could it be that gleaming spot is
Doctor Dapertutto's snoot!

1921.


   

Little English Pictures
A Sonatina


a) Autumn

Take it, Brown! Clatter your razor, Brown!
The hoarse flautist gurgled from the flask.
Betsy's afraid to run in the woods.
Wells smokes in a leather jacket.

Tommy moans on the fiddle.
Lime trees fly around.
Forgive me, strolls!
Forgive me, smiles!
In the unswept house
Strides resound.
The flag's down...
What for?

Gin, Brown! A jig, Brown! To doze by the wood.
To raise a Shrovetide pancake to dear departed Mum.
What's Wells to us, and what's Betsy?
There'll be time and to spare to sit home.
Daisies jut from wrinkled hats,
Through the square papers dance flat...
Be bold Brown, Bey of Bombay!
Don't flop in the mud.
A streetlamp... what's a streetlamp?
Whiskey, bash a temple!
Well!

"Birds in their little grove praise in one voice
Everything Peggy has nice to rejoice!"

Sea devil,
Don't cavil!
I'm ready to rap
A Lord in his trap.

"If anyone should muss my tie,
"I swear to you I'll pipe an eye."


b) The Birthday

Alice's birthday
and gooseberry treat,
the parlor has half drapes,
the cook's lost her feet.
The potted young sailor
goes all over red.
Well, well, now, what folks here:
they'd cut off your head!
The bulldog's rebellious
and tears through the door.
The mistress is weeping,
The neighbour is floored.
"Picadilly is awkward
"to wander about -
"The rose and I waited
"for you to come out."
"It's Alice's day now,
"so give me some tripe!"
Stop teasing! I'll ha-ha
you! None of your gripes!
Cherries are common
in orchards, on trays.
"I feel I'm a third wheel -
"I'll just go away."
"Oh, no!" Ears are pricked up,
a gay little glance!
She straightens her ruffles
with chuckling hands.


c) The Return

The clock struck - bong!
The corner parrot - awk!
"Joe!" Grandmother squawked
And fell off of her chair.

The chap flew in like a squall,
He pressed the dog to his coat,
Tossed down a goblet of grog, -
The house hummed like a hive.

Scraping, bustle, noise,
Horns, a beaten groom,
Stories - biff-baff-boom.
Jesus bloody Christ!

Pock-marked Nelly: "Ma'am,
"I'm giving me notice: I'm leaving.
"I'll not sleep in the dining room!
"He's no boy - he's already shaving!"

Hip-hip West India!!

1922.


Samovars are standing by the stove,
The cat (Siberian) sleeps in a ball.
Listen! That's the "Mercury", Samara-
bound, that roars beyond the hazel grove.

My father-in-law's asleep. All's neat and clean.
Always, though, there's soot from icon lamps!
"Stenka Razin's walking past the garden" -
If I walked there too what would it mean?

I'm alone completely, night and day.
I'll undo my straitlaced bodice stays...
Apple tree, oh comfort me with apples!
Make me reel as elderberry wine.

Summer days are red and oh-so-long.
Featherbeds exhaust you, keep you warm.
What did I forget beyond the Volga?
Just my aunt's encloistered, tiresome farm!


On the square the children's dances
filled the Palatine with shadows.
Phantoms of the plain are drowning
in the bluish gray of twilight.
Acrid caraway flies toward us
like the news of pallid summer.

Slipping slope of dried pine needles,
northern full exposure's heat.
In a country carriage two ride
and their way is far and sweet.
Somewhere in a weary chamber
the white moth beats.

Floating dimly in the distance
I am touched by this and saddened,
stung by darkened memory
and feeding on a vatic grief.
Or is it the pines I pity
in the wan gold of the ruins.


Drums coo in staccato
past the weir toward evening.
Though it's hard to bend now,
I'll pick batchelor buttons.

My belly keeps swelling
like yeast in a bowl.
I hear the child sweating.
It moves, a warm mole.

You do not suck, but breathe in sleep,
crushed within the narrow dusk.
Maybe you can hear the drums,
but you will not see the dawn.

Freedom, freedom! Damp the womb,
there's an exit nonetheless;
I'll look from the birthing tomb
upward toward the evening star.

I have covered all the ramparts,
fog has risen in the fens,
Mama, better not forget to
keep my yellow tulip wet.


To view the sun through petals pink with morning,
To bring a crimson curtain copper censers -
To feast eyes on your cheeks.

To let a moonbeam pass through yellow grapes,
To meet a lake upon a high plateau -
To see me in your eyes.

To recollect your hair - gold, even sewing,
To recollect your walk - the March clouds rush,
And rainbow ends raised skyward over windmills -
Is how it is to hug you.


VII
Tamino's Ways


The Flying Boy

"Zauberflöte"
The star shakes by a thread,
A draft wafts from the wings...
I've gathered up my things
And quietly descend.

How many webs athwart
And under vaulted gates!
His cavatina late,
Tamino's mouth contorts.

I'm Genius, it seems:
These wings are mine, this quiver.
I'm messenger of dreams
Beyond the magic river.

I fly,then rock a bit,
I rock both day and night.
I'm going to knock a bit
Of sense into his fight.

The castle backdrop's drawn,
The nobles are in masks,
But it's no easy task
From queen back into pawn.

I won't give up my wings
For any winged bambino,
Pamina and Tamino
I'll join before I sing.

We'll go through fire and water,
A hollow path and dark,
And freedom, like a lark,
We'll find before we've caught her.

These horrors are no fret:
Fire, water, even brass,
What really gives me gas
Is singing the quintet.

I'm not a dream to bid,
Oh-so-dramatic friend.
In real life, in the end,
I'm just the cleaner's kid.


Fides Apostolica

For Yuri Yurkun
Et fides Apostolica
Manebit per aeterna...
Reflected in majolica,
hair parted, a day boy so stern.

The morning Weber scattered
splashing rondos on the flute.
And the cheek's gleam is more powdered
than a lady's of the night.

The neighbour robin fellow
unconscionably sings,
the lines of your novella
fly lightly, though they sting.

Straw-coloured stock is fragrant
(Shadow of incense from Rome?)
Haven't you learned, young vagrant,
That heaven is your home?

In chambers bright with muslin,
Angelic English hummed...
You remember, don't you,
The branch propped in the tumbler,

The crystalline sonata
And pallid yellow chair?
Lofty and pathetic,
Unruly Beardsley's flare!

In vain does night, an arab,
Play muted violins -
My soul, just like a cherub,
flies to linden scents.

And sees in a bit of majolica,
hair parted, a day boy so stern.
Et fides Apostolica
Manebit per aeterna.

1921.


Splash with merry rain,
Golden brother of April.
Panpipe play again.
Bees haven't long to wait:
The week of brittle ice,
the blue intoxicates...

In light of doubtful dawn
The other world sleeps blue,
Your hand grows wan...
A distant sounding voice
Enchants with cavern flute
and counts the world well lost.


Now after rusty lions and roars
The region of the marshes neared;
Above the maw of jaws clenched tight
there curls an unseen pilot light.

The whitish fields of ever-stagnant
waters are transparent, wild...
Euridice is trembling, poignant -
Do you know her yet, my soul?

Refuge! And the trombones bark
hypogean songs of the dark.
The empty slopes of gently-sloping parks
Are so implacable and stark.

The eastern guest's extinguished in the night,
The star floats onward, mourned.
Whoever has stepped here once
Must never think of return.

My dearest friend, be bolder.
Weary? Then sit on this boulder!
Whimsical and slow,
grace leads to blessed groves.


I don't rub myself with witches' lotion,
I don't wait for scheduled full-moon potions,
I sit right upon the shore
guard my quiet cottage door
Here among nasturtians and red fescue.


On that day I took an early notion,
made my way down towards the green-coved ocean, -
Suddenly a salt storm blew,
blinding me (for all I knew) -
splashing out Leviathan and cess-spew.


Thunder, spindrift, clouds in rapid motion...
Careful! Careful! Jesus! Land of Goshen!
Steeds have racing, heroes - bronze.
I'm a gardener, give me songs!
Let me go! - for those who call are rescued.


Tail. A blow. Again! There's no relief!
Hey, you monster! Eat your fill of grief!
Higher! Higher! Dead yet? No?
What's this warm and quiet glow?
Straight towards the sun I'm puked out by the sea.

May, 1922.


Passion Week's spring damp
Soaks Petersburg brown steam.
Half-awake, you dream Pskov lake
Where a peatfire dully gleams.

Bullion of bells floats past
through the festive, ringing void.
Cock calls to cock by the warped
wicket-gate, as in days of yore.

Motley and windy the bedcurtain swirled
while I slept. Calm Mironius swam.
A reminder! Your way is not long,
Born again, you stare at the world.

The underwater trumpet song still plays.
A peopleless, slumbering land!
How sweet the familiar command.
But still the soul trembles, amazed.


The End of Volume Two

I walked along the road in Pavlovsk park
reading some poppycock about Eliza
that dated from the eighteenth century.
It all took place some time before the war,
at the beginning of June - hot and deserted.
"Elysium, Eliza and Elisha," -
I thought, and suddenly it seemed to me
that I'd been walking now for quite some time:
A week, a month, a year or more perhaps.
And nature was peculiarly transformed:
Marshy patches everywhere, small lakes,
Cattails and trees, distorted and low-growing, -
That was what I dreamed Australia looked like,
or else the universe before the split
of land and water. Flocks of pudgy birds
would flutter up, then settle down again
upon the earth. Then I approached quite close
a lofty cross. Upon it crucified
there hung a black-bearded Assyrian king.
He hung there upside down; a muffled curse
evoked his mother; he himself turned blue.
I went on reading like an idiot
about the same Eliza, how she had,
forgetting that she'd slept the night in barracks,
awoken all amazed by trumpets blaring.
Tearing himself from the cross, the Chaldean
ran off, the spitting image of Pugachev.
And then the pavement crumbled and the plaster
began to peel and blister from the houses;
barbaric symbols blazoned every wall,
and all the vault of heaven was engulfed
by trumpets from the foolish book. A whole
squad of heaven's knights in Persian dress
rushed downward and the apple tree took flower.
But on the breast of Persian Perseus
A serpent bit its tail and made a circle.
From Pugachev a single muddy footprint
was all the swamp had left. The wingŠd soldiers
looked on so fondly that it seemed to me
I might be walking in the Public Garden
and choosing from among the painted urchins.
"Ashanta butra pervenets Pervantra!"
the proclamation came, and I was miffed
to make no sense of these important words.
But on a cloud I saw the colophon,
which ran as follows: End of volume two.


VIII
Stair


For Yuri Yurkun

Stair

Lower your eyes, toss back your head!
Spotless whitish blue ahead...
Foam fizzes of the past in vain.
Aloft an angel shipboy hangs.
Rheingold... Green road...
Friend, don't forget your costrel ring.

Who hasn't dared just once
to draw breath tramp and free,
and spy a Rhinewine star
on a lilac (alack!) heaven's arch?
If not castratos and dormice,
our lot is the road.
Without a friend the road is dead,
and each heart knocks "I'll find one!"

Steer clear of hair too black or red:
russet, that's the shade.
He must know how
to bow,
to rise,
romp, walk, stand,
sit pompously, lay like a child,
Gray eyes, like a friend's,
thoughts clear and brave,
and at bottom a heart like an anchor,
so that you'd be ashamed
to palter
or bustle like a woman
on empty rounds.
Campaigns
(trumpets will wake) await!
Always girded,
feet dry,
hips slim,
breast firm,
snub nose straight,
gaze clear.
Roads
into foul weather and fair,
battles, thirst,
shipwreck, -
I could bear all with him!
Forget all but him!
Extra baggage overboard!
A woman weeps.

The well's dried up, run out...
If heaven sends no rains
where to get wet?
The seabottom is dry,
the kestrel flies the hand
in search of not just any prey.
Where are children born from?
Who will fill the world,
answer for deserts in paradise?
More ponderous, ponderous
(but we ought to grow light and rise)
as a despondent sinker
downward we fall to darkness.

Cretanesquely exulting,
the stripling call
rose from the stone,
holy, from the flat stone.

Helios, Eros, Dionysus, Pan!
Twins! Twins!
Where two are bound a third is born.
But not always mortal.
Know one thing immutable:
Where two are bound a third is born.

Backs abducted
by the hollow of roses,
Rejoice: my fate
inflated, folks!

Helios, Eros, Dionysus, Pan!
Twins! Twins!

Heaven is pleased by body born,
pleased as well by spirit born...
if you're not deaf to wisdom,
you'll learn which pleases more.

Twins! Twins!

Particles, seed,
light fuzz!
Fruit tribe,
Milky spirit!
You fly not in vain,
you sow, burning!

In air, fire, earth, and water, -
the free Phoenix will rise everywhere,
our eyes are full of earth,
Viy's lids are hard to lift,
dim and blind, the mind is deaf,
if the blind sister does not come.

We see the children, towers, trees,
We see rainbows to heaven's lee,
Sea lions by the ice-clad clods,
When seas are clear we see the cod,
those who see best slice wide the gut
and hear mush crawl through tripe and glut.

But we do not see
how thoughts are born - can you weigh them?
how feelings are born - can you seize them?
how the Iliad is born - bite off a chunk!
how angels fly, - why sniff?
how the dead live, - can we talk?

At times we see and don't at once,
when the hypogean sister knocks,
and we say: "What a dream!"
but death, - who has seen her?

Moles, moles, why are you crying?
On the slender pole the shipboy sings:

Our stow has many holds,
each hoard shines in its own.
Sow rye and you get rye.
Rye from oats - a foolish lie.

What bears a child? Flying seed.
What raises cypress on the hill? The same.
What erects ringing pagodas? Flying seed.
What feeds Divina Commedia with movement? The same.
What guides round dances up in gyres
of Platonic thoughts
and Fokin's trots
and Seraphim's circles?
Flying seed.
What bears nothing
but like grave death
lies within itself
ike the grave's wet weight?
Wingless seed.

Wayfarers we, and moving is our vow,
Children of God, and making is our vow,
Moving and making are life,
the which yclept is Love.
Moving only on up:
men, mountaineers and dancers.
Lift high the cross!

In the shadow of Brazilian Broc‚liande
maidens sat in a circle,
weaving lilac lianas,
over an empty altar.

"Alas! Alack!" - the barrenness revealed!
Prophetic Merlin dead or gone to seed.
The spring secretes a spring thaw flood
from pregnant depths of valley sludge.

The wind drives off the raw, damp fumes,
A farkle bonfire crackles, plumes.
"Alas! Alack!" The hoopoe moans,
and meanwhile sluicegates dim like bronze.

Love is moves,
No moves - no love,
No moves means wingless seed,
Maidens of Broc‚liande.

Merlin's mourners answered:

Barrenness! Barrenness!
Alas! Alack!
The pivot moved,
the breast is still.
Seed flew,
away it flew and flew:
no fruit. -

Hoopoes, cockatoos, mockingbirds,
flamingos, herons, swans
flap wings
and swivel eyes.

Alas! Alack!
No fruit!

Over trees an ice-floe drifts in air;
on the ice-floe stands a boy,
he holds a compass, scales and stair.
A stair with three steps.
The stair is gold.
The boy - amber,
The ice-floe - sky blue,
The Holy Spirit - rosy.

Maidens of Brocéliande,
Can you count to three?
God will not ask for four.
1Rub your eyes:
A ladder, - one two three
Only: one two three,
And not three, two, one, -
Or nothing will be won.
I am talking of love,
just what you're thinking of.
Where there are one and two
three can be there, too.
Three does not live alone.
One and three,
Two and three,
again no life.
You mustn't gallop and miscarry.

Such a conundrum.
If you guess it all will come.
One for two
Two for one
Three for all.
If one for all
two weeps.
If two for all
one weeps
and three doesn't come.

Only three for all,
but without one for two
and without two for one.
There is no
three
for all
That's all the secret there is!

A promontory flames through schooner bights.
Waves drag at us abaft the stern like wine.
All bravery, all spirit, all that's right
I'll pass along to you when you are mine.

Whoever loves, uplifted, true to troth,
will traipse through heaven's deserts side by side,
but fate's long laid a road out for us both.
You are my friend: you're russet and clear-eyed.



Copyright © 1993 by John Barnstead