| dc.contributor.author | Baur, Steven | en_US |
| dc.date.accessioned | 2013-08-07T12:45:13Z | |
| dc.date.available | 2013-08-07T12:45:13Z | |
| dc.date.issued | 1999-Fall99 | en_US |
| dc.identifier.citation | Baur, Steven. 1999. "Ravel's `Russian' period: Octatonicism in his early works, 1893-1908." Journal of the American Musicological Society 52(3): 531. | en_US |
| dc.identifier.issn | 00030139 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10222/34530 | |
| dc.description.abstract | Analyzes octatonicism in the works of Maurice Ravel from 1893 to 1908. Octatonic scale as an alternative to common diatonic practice in the mid-19th century musical compositions; Influence of chromatic harmony on the compositions of Ravel; Attribution of octatonic partitioning to the musical talents of composer Igor Stravinsky. | en_US |
| dc.relation.ispartof | Journal of the American Musicological Society | en_US |
| dc.title | Ravel's `Russian' period: Octatonicism in his early works, 1893-1908 | en_US |
| dc.type | article | en_US |
| dc.identifier.volume | 52 | en_US |
| dc.identifier.issue | 3 | en_US |
| dc.identifier.startpage | 531 | en_US |
