Browsing Vol. 08 No. 1, November 2008 by Title
Now showing items 21-27 of 27
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Labiche, Eugène. L’Affaire de la rue de Lourcine. Texte intégral + dossier par Olivier Bara + Lecture d’image par Sophie Barthélémy. Coll. « folioplus classiques 19e siècle ». Paris : Gallimard, 2007. ISBN : 9782070343805
(Dalhousie University. Electronic Text Centre, 2008-11) -
Le Nivellement du vaudeville: Remarques sur le para-discours chez Labiche
(Dalhousie University. Electronic Text Centre, 2008)Labiche excels in the vaudeville, which is considered to be a "minor genre": consequently he has been allocated no more than a marginal place in the field of literary studies. In order to rehabilitate his work, I choose ... -
Miller, Anne. Review of: Reading Bande Dessinée. Critical Approaches to French-language Comic Strip. Bristol/Chicago : Intellect, 2007. 272 p. ISBN : 978-1-84150-177-2
(Dalhousie University. Electronic Text Centre., 2008-12) -
Théodore de Banville, critique d'Eugène Labiche
(Dalhousie University. Electronic Text Centre, 2008)In his articles of theatre critcism, written intermittently between 1847 and 1881, Théodore de Banville touched on Eugène Labiche's theatre thirty-seven times. With only a few exceptions, his opinion is generally favorable ... -
Un Dispositif sous surveillance: La Parodie censurée chez Labiche
(Dalhousie University. Electronic Text Centre, 2008)Like the other dramatic authors of their time, Eugène Labiche and his collaborators were forced to submit their plays to the government censors in order to perform. For instance, the censors forbided them to perform “L'Ut ... -
Váchal, Josef – Review of: Graveur sur bois. Roman sanglant. Etude culturelle et historicolittéraire. Woippy : L'Engouletemps, 2007. ISNB : 978-2-9700444-7-5
(Dalhousie University. Electronic Text Centre., 2008-11) -
Zola critique de Labiche
(Dalhousie University. Electronic Text Centre, 2008)This article examines Zola's reading of Labiche in some of his newspaper reviews. Zola does not categorically condemn a kind of theatre that, at first sight, differs considerably from his own naturalistic ideal. Indeed, ...