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COMICA: Confessions & Convictions, June 5th - June 13th 2004.
(Dalhousie University. Electronic Text Centre, 2004-12)
« Ceci n'est pas un cigare » : Les Cigares du pharaon ou Le récit en trompe-l'oeil
(Dalhousie University. Electronic Text Centre, 2004-12)
Salgari, Emilio. Un naufragio nella Florida. A cura di Felice Pozzo. Mephite. Atripalda, 2004.
(Dalhousie University. Electronic Text Centre., 2004-11)
Berry Palmer Chevasco. Mysterymania: The Reception of Eugène Sue in Britain 1838- 1860. Oxford: Peter Lang, 2003. US-ISBN 0- 8204-5915-1. $60.95 US; £33.00.
(Dalhousie University. Electronic Text Centre, 2004-12)
Festival dell'India - 3° edizione, Forum di Assago (Milano), 25-28 marzo 2004
(Dalhousie University. Electronic Text Centre, 2004-12)
Les Français peints par eux-mêmes. Encyclopédie morale du dix-neuvième siècle publiée par Léon Curmer. Edition présentée et annotée par Pierre Bouttier, Omnibus-La Découverte, 2003, 1184 pages, 26 €.
(Dalhousie University. Electronic Text Centre, 2004-12)
PONSON DU TERRAIL A L'ACADEMIE FRANCAISE (billet)
(Dalhousie University. Electronic Text Centre, 2004-12)
La bande dessinée historique : une source possible pour l'historien. L'exemple de la collection Vécu (1985-2002)
(Dalhousie University. Electronic Text Centre, 2004)
The Glénat Editions were created in 1969 and have since become one of the greatest publishers of bandes dessinées in France. In the early 80s this publisher took advantage of a favourable context to create a series of ...
Claude Mesplède (dir.), Dictionnaire des littératures policières, Nantes, Éditions Joseph K., 2003, 2 volumes (vol. 1, A-I, 917 pages, vol. 2, J-Z, 918 pages).
(Dalhousie University. Electronic Text Centre, 2004-12)
Transgressive Bodies in the Work of Julie Doucet, Fabrice Neaud and Jean-Christophe Menu: Towards a Theory of the 'AutobioBD'
(Dalhousie University. Electronic Text Centre, 2004)
This paper draws on the autobiographical work of bande dessinée artists Fabrice Neaud, Julie Doucet and Jean-Christophe Menu with the aim of investigating the potential of the medium to disturb the normative visual order ...