Browsing by Subject "1800-1899"
Now showing items 21-40 of 45
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La Congrégation de l'Index, les romans et leurs idéologies (1828-1898)
(Dalhousie University. Electronic Text Centre, 2010) -
La Redistribution des emplois vaudevillesques chez Eugène Labiche
(Dalhousie University. Electronic Text Centre, 2006)Traditionally presented as the protoype of the French vaudeville, Labiche's theatre, quite apart from its generic exemplarity, constitutes a critique of the "well-done play" of Scribe. To this end, it substitutes to the ... -
La Terreur des 'Maîtres du temps' fantastiques
(Dalhousie University. Electronic Text Centre, 2004)Forever concerned with objectivity, the 19th century opens the era of triumphant positivism. All sciences, from physics to history, will therefore deal exclusively with facts, their analysis and the links between them. ... -
La Théorie de 'jeu de place' et les relations maîtres-domestiques dans le théâtre d'Eugène Labiche: Le Cas du Dossier de Rosafol
(Dalhousie University. Electronic Text Centre, 2008)L'article La théorie de « jeu de place » et les relations maîtres-domestiques dans le théâtre d'Eugène Labiche : le cas du Dossier de Rosafol vise à examiner le fonctionnement du renversement de rôles (le plus souvent entre ... -
La Vocation de la photographie amateur: Hambourg (1893-1900)
(Dalhousie University. Electronic Text Centre, 2005)This article discusses the development of amateur photography in the last decade of the nineteenth century. It focuses particularly on the activities of amateur clubs in Hamburg. The author explores matters of cultural ... -
Labiche et la contestation de l'ordre établi
(Dalhousie University. Electronic Text Centre, 2008)Labiche dealings with censorship were not limited to the time of the Second Empire. Due to the State of Siege, and to the fact that all shows were strictly controlled by the military until 1875, the young Third Republic ... -
Le Nivellement du vaudeville: Remarques sur le para-discours chez Labiche
(Dalhousie University. Electronic Text Centre, 2008)Labiche excels in the vaudeville, which is considered to be a "minor genre": consequently he has been allocated no more than a marginal place in the field of literary studies. In order to rehabilitate his work, I choose ... -
Les Récits médiatiques de grande diffusion au prisme de l'argumentation dans le discours: Le Cas du roman feuilleton
(Dalhousie University. Electronic Text Centre, 2010) -
Lo strano caso del Dr. Jekyll e Mr. Hyde, alle radici della cultura di massa
(Dalhousie University. Electronic Text Centre, 2003)In the twenty years between 1850 and 1870, there takes place within the cultural sphere the maturation of a conception of the world based on generalized trust in the virtues of science. From Darwin's theories of evolution, ... -
Medicine in Alexandre Dumas père's The Count of Monte Cristo
(Dalhousie University. Electronic Text Centre, 2002)Alexandre Dumas, père, was one of the most prolific writers of all time, with more than 600 books and other writings (no one is sure how many) ranging from romantic historical novels to travel and cook books. Some of his ... -
Mécanismes d'apparition de la terreur dans les légendes fantastiques de Gustavo Adolfo Bécquer
(Dalhousie University. Electronic Text Centre, 2004)Gustavo Adolfo Bécquer (Spanish writer, 1836-1870) is the author of a series of fantastic "legends", featuring mysterious and unknown worlds, constructed to evoke feelings of fear and terror in the reader. One of the sources ... -
A Poetics of Summing-up and Making-away-with: Michel Deguy and Stéphane Mallarmé
(2000)No abstract available. -
Pourquoi tant d'histoires? T. Combe (1856-1933) ou la mesure des possibles d'une romancière et journaliste dans la Suisse de la Belle Epoque
(Dalhousie University. Electronic Text Centre, 2008)At the beginning of the twentieth-century, a former teacher who became a novelist and newspaper writer, well-known even beyond the borders of her native Switzerland, buys a « house of her own » both cozy and considerably ... -
Productin de l'intérnêt romanesque: un état du texte (1870-1880), un essai de constitution de sa théorie
(Dalhousie University. Electronic Text Centre, 2010) -
Révolte et révolution: Des tigres de Salgari à ceux de Paco Ignacio Taibo II
(Dalhousie University. Electronic Text Centre, 2002)Mexican author Paco Ignacio Taibo II brings back to life in his novels the character of Sandokan, the Malaysian pirate created by Italian novelist Emilio Salgari in the last decade of the nineteenth century. His appropriation ... -
Scene di fanatismo in alcuni romanzi salgariani
(Dalhousie University. Electronic Text Centre, 2006)Scenes of religious or superstitious fanaticism are quite common in Salgari's novels. Such events are given particular attention throughout his work and make the object of detailed and lively descriptions. The novelist ... -
Seconds rôles, duos et trios dans l'oeuvre romanesque de Jules Verne
(Dalhousie University. Electronic Text Centre, 2006)In Jules Verne's works, the hero is never alone, not even when he seeks solitude. Various novels presenting a search theme feature an entire team of characters. This is partly dictated by the genre itself of the "imaginary ... -
Stratégies narratives et engagement politique d'une écrivaine au XIXe siècle: André Léo, L'Epousée du bandit (1880)
(Dalhousie University. Electronic Text Centre, 2008)The adventurous life and the complex oeuvre of André Léo (1824-1900) have long escaped the interest of literary historians and critics. It is only recently that this woman author has begun to emerge from a century-long ... -
Tante avventure, tante ristampe... ma non tanti soldi!!
(Dalhousie University. Electronic Text Centre, 2006)Emilio Salgari was, notoriously, a slave of the pen. He sold the rights to his early works for ridiculously low amounts of money, and afterwards signed contracts that give him a kind of fixed income in exchange for a certain ... -
Théodore de Banville, critique d'Eugène Labiche
(Dalhousie University. Electronic Text Centre, 2008)In his articles of theatre critcism, written intermittently between 1847 and 1881, Théodore de Banville touched on Eugène Labiche's theatre thirty-seven times. With only a few exceptions, his opinion is generally favorable ...