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dc.contributor.authorBryson, Shane
dc.date.accessioned2013-08-26T15:37:36Z
dc.date.available2013-08-26T15:37:36Z
dc.date.issued2013-08-26
dc.identifier.urihttp://hdl.handle.net/10222/36246
dc.description.abstractIn this thesis I theorize hopelessness in contemporary Canadian ecological poetry in contrast to capitalist ideology and activist discourse. Drawing on Tim Lilburn’s work, I identify two varieties of hopelessness: despair and penthos. The former is characterized by disappointment, a sense of injustice, and calculations for redress. The latter is avoids these states in its hopelessness, and it is characterized by the pursuit of apokatastatic desire: the desire to eliminate human desires in the interest of identifying with other-than-human beings. Penthos is opposed to both capitalist ideology, which is premised on the desire to consume, and the activist impulse, which is closely related to states of despair. Examining Sina Queyras’s Expressway, the poetry of Don McKay, Rita Wong’s forage and Sharon Thesen’s The Good Bacteria, I develop the idea of penthos in the contemporary Canadian iteration of the lyric.en_US
dc.language.isoenen_US
dc.subjectpoetryen_US
dc.subjecthopelessnessen_US
dc.titleHopeless Poetics in Ecological Poetryen_US
dc.typeThesisen_US
dc.date.defence2013-08-21
dc.contributor.departmentDepartment of Englishen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorCarrie Dawsonen_US
dc.contributor.thesis-readerSteven Burnsen_US
dc.contributor.thesis-supervisorCarrie Dawson, Travis Masonen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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