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Horreur, hyperbole et réticence chez Lovecraft
(Dalhousie University. Electronic Text Centre, 2004)
The work of Howard Phillips Lovecraft (1890-1937) represents a kind of « discursus interruptus » on horror and on the literary language that can best represent it. Lovecraft invents a new kind of horror, more hyperbolic ...
Horreur des villes maudites dans l'oeuvre de H. P. Lovecraft
(Dalhousie University. Electronic Text Centre, 2004)
Howard Phillips Lovecraft is forever weaving the same spider-web, in which both his hero and his readers invariably get caught. The real curse of his ancient cities (R'lyeh, Innsmouth, Arkham, Marblehead, Kingsport, Dunwich ...
Monstruosité et réflexion métalittéraire dans Le Fantà´me de l'Opéra de Gaston Leroux
(Dalhousie University. Electronic Text Centre, 2004)
Hidden between the lines of Gaston Leroux's Phantom of the Opera is a reflection on the relationship between the popular writer and official literature, illustrated metaphorically through the image of the Opera itself. ...