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L'Archipel Tintin. Préface de Cyrille Mozgovine. Les Impressions Nouvelles. Paris, Bruxelles, 2003. 119 p. ISBN : 2-906131-70-9
(Dalhousie University. Electronic Text Centre., 2004-04)
La Belgique : un jeu de cartes ? De Rosny aîné à Jacques Brel. Etudes réunies par Arnaud Huftier. Presses Universitaires de Valenciennes. Valenciennes, 2003. ISBN : 2- 905725-57-5
(Dalhousie University. Electronic Text Centre., 2004-04)
Gely, Cyril et Eric Rouquette. Signé Dumas. Les Impressions Nouvelles. Paris, Bruxelles, 2003. 93 p. ISBN : 2-906131-66-0.
(Dalhousie University. Electronic Text Centre., 2004-04)
Psychological Terror and Social Fears in Philip K. Dick's Science Fiction
(Dalhousie University. Electronic Text Centre, 2004)
Science-fiction and horror are closely related genres, both belonging to the larger domain of fantastic literature. They share a partly common history. This article aims to examine how Philip K. Dick, one of the most ...
Lise Andries, Geneviève Bollème, La Bibliothèque bleue. Littérature de colportage, Robert Laffont, 2003, 1024p., 29€. Collection « Bouquins ».
(Dalhousie University. Electronic Text Centre, 2004-04)
Horreur des villes maudites dans l'oeuvre de H. P. Lovecraft
(Dalhousie University. Electronic Text Centre, 2004)
Howard Phillips Lovecraft is forever weaving the same spider-web, in which both his hero and his readers invariably get caught. The real curse of his ancient cities (R'lyeh, Innsmouth, Arkham, Marblehead, Kingsport, Dunwich ...
Perrot, Jean, ed. Pinocchio. Entre texte et image. Bruxelles: Presses Interuniversitaires Européennes, 2003. 269 p. ISBN 90-5201-171-0
(Dalhousie University. Electronic Text Centre, 2004-04)
Robot géant: De l'instrumentalisation à la fusion
(Dalhousie University. Electronic Text Centre, 2004)
Through the history of a sub-genre of science-fiction (cartoons featuring giant robots), this article attempts to identify how the robot switches roles, going from simple instrument to essential part of the plot. The various ...
Monstruosité et réflexion métalittéraire dans Le Fantà´me de l'Opéra de Gaston Leroux
(Dalhousie University. Electronic Text Centre, 2004)
Hidden between the lines of Gaston Leroux's Phantom of the Opera is a reflection on the relationship between the popular writer and official literature, illustrated metaphorically through the image of the Opera itself. ...
Textures of Terror: Claire Denis's Trouble Every Day
(Dalhousie University. Electronic Text Centre, 2004)
Like her last film Beau travail (1998), Trouble Every Day (2001) sees Claire Denis taking a sexual narrative that has been familiarised through theoretical (often psychoanalytic) interpretation and filming it in such a way ...