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L'ultimo upgrade
(Dalhousie University. Electronic Text Centre, 2003)
The symbiosis between man and technology is obvious in the robot who is the main character of the movie Bicentennial Man, adapted in 1999 from Isaac Asimov's short story bearing the same title. The humanist search of ...
Le Genre cinématographique: Une Catégorie de l'interprétation
(Dalhousie University. Electronic Text Centre, 2003)
Robot géant: De l'instrumentalisation à la fusion
(Dalhousie University. Electronic Text Centre, 2004)
Through the history of a sub-genre of science-fiction (cartoons featuring giant robots), this article attempts to identify how the robot switches roles, going from simple instrument to essential part of the plot. The various ...
La Planète Mars dans les romans de science-fiction anglo-saxons des années 1990: La Peur du monstre de pierre
(Dalhousie University. Electronic Text Centre, 2004)
When it deals with the planet Mars, nineteen-nineties science-fiction faces an alternative: either the heroes adapt to Mars' hard conditions (and that's "pantropy"), or they adapt Mars to make it livable for human beings ...
I'm Not Scared' ...: I'm Marketable
(Dalhousie University. Electronic Text Centre, 2005)
This article is a critical assessment of Niccolò Ammaniti's novel and Gabriele Salvatores' homonymous film I'm not scared in their attempt at portraying the point of view of a child within an Italian family at the end of ...
Les Formes à épisodes, des structures multi-médiatiques (parallélisme et interaction des ensembles paralittéraires et télévisés)
(Dalhousie University. Electronic Text Centre, 2002)
English: Serials as multi-media structures (similarities and interactions between paraliterary and TV narratives). TV and popular literature influence each other since they both make use of similar structures, the two kinds ...