Now showing items 1-6 of 6

  • Horreur et fantastique: L'Animalité dans le film Nosferatu de Murnau 

    Margat, Claire (Dalhousie University. Electronic Text Centre, 2004)
    Fantastic and horror, as they are experienced through literature, do not create fear in the same way. The feeling of the fantastic comes from the acceptance of the existence of a strange and disquieting alternate universe. ...
  • Il terrore e lo sguardo 

    La Polla, Franco (Dalhousie University. Electronic Text Centre, 2004)
    What is horror's discourse and what is the discourse on horror? The inventor of terror is power – a concept of power that has its ultimate horizon in the divine. But in hell, on the screen or on the page, horror is elsewhere. ...
  • Jules Verne au pays du manga 

    Suvilay, Bounthavy (Dalhousie University. Electronic Text Centre, 2007)
    Jules Verne is still known nowadays because of his technological imagination, and has considerably influenced two of the major authors of Japanese animation: Hayao Miyazaki (Chihiro's Travels) and Hideaki Anno (Neon Genesis ...
  • La Planète Mars dans les romans de science-fiction anglo-saxons des années 1990: La Peur du monstre de pierre 

    Villers, Aurelie (Dalhousie University. Electronic Text Centre, 2004)
    When it deals with the planet Mars, nineteen-nineties science-fiction faces an alternative: either the heroes adapt to Mars' hard conditions (and that's "pantropy"), or they adapt Mars to make it livable for human beings ...
  • Robot géant: De l'instrumentalisation à  la fusion 

    Suvilay, Bounthavy (Dalhousie University. Electronic Text Centre, 2004)
    Through the history of a sub-genre of science-fiction (cartoons featuring giant robots), this article attempts to identify how the robot switches roles, going from simple instrument to essential part of the plot. The various ...
  • Textures of Terror: Claire Denis's Trouble Every Day 

    Morrey, Douglas (Dalhousie University. Electronic Text Centre, 2004)
    Like her last film Beau travail (1998), Trouble Every Day (2001) sees Claire Denis taking a sexual narrative that has been familiarised through theoretical (often psychoanalytic) interpretation and filming it in such a way ...